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Top 23 Best Delay Pedals for 2019

Best Guitar Effects is again with a round-up of the 23 Best Delay Pedals obtainable in 2019. The market is crammed with delays, and we needed to slender things right down to the pedals that basically stand out. We’ll begin with a short guide to delay pedals and the kinds obtainable after which showcase our definite record of the very pedal delays out there.

What Is Delay?

Delay is an impact that data audio and performs it back after a time period. The sound could also be played back as soon as or a number of occasions or played into the recording once more to create the sound of repeating, decaying echoes.

Do I Want A Delay Pedal?

Delay is usually used so as to add extra texture to a soundscape by filling within the spaces between your enjoying with more sound. Delay can be used to create the impression that multiple devices are enjoying on the similar time or used so as to add extra rhythmic curiosity to your guitar elements. With the ability to create further layers of instrumentation by delaying your enjoying gives inspiring new prospects that go beyond what could be achieved with a dry guitar alone.

Delay Vs Reverb

Whereas a reverb pedal produces ambient reflections of your enjoying, a delay pedal produces repeats of your enjoying. These results are equally used to control the time and area the place your enjoying happens, they usually’re each typically used on the end of the sign chain. Some newer hybrid delay/reverb pedals even mix each effects in one pedal for larger artistic flexibility.

Utilizing Delay With Reverb

It’s widespread to put a delay earlier than a reverb, but typically it can be value experimenting with reversing the order of these results. Putting a reverb after a delay can create a space for your delayed signal to take a seat in, but placing a delay after a reverb could make the reverb sound even greater and longer by adding more texture to a reverb and increasing its decay. Experiment to seek out the most effective end result for your music!

Forms of Delay

There are lots of varieties of delay and methods to realize such effects, but these are a few of the commonest types of pedal you’ll discover in trendy guitar pedals.

Tape – Tape delay is an early delay effect used in audio recordings originally achieved by creating tape loops on reel-to-reel recording methods. Commercially out there tape delay models included the Echoplex and Roland Area Echo. (The sounds of the Binson Echorec may be argued to fall into this class sonically although it used an analog magnetic drum recorder as an alternative of tape to realize its echoes.) Some pedal builders have attempted to create tape delay sounds utilizing actual tape, but you’ll most commonly find trendy tape delay sounds using DSP to recreate convincingly genuine tape echo sounds.
Best for: vintage tonality, spacious echoes, characterful delays

Analog – Analog delay pedals sometimes use BBD (Bucket-Brigade Gadget) chips to realize delay effects. Such pedals are often characterised by a hotter, darker, and more “colored” sound. They’re additionally sometimes noisier than digital delays; nevertheless, some builders have made great strides in the direction of minimizing the noise and different drawbacks inherent in older analog delay pedals. A number of basic examples of analog delays are the Boss DM-2 and Electro Harmonix Deluxe Memory Man which originally used Panasonic MN3005 BBD chips.
Best for: hotter tones, basic delay pedal sounds, old-school mojo

Digital – “Digital delay” as a method of delay is usually recognized for attaining more genuine repeats of your enjoying, reproducing the sound and nuances of your unique audio signal. They’re cleaner, quieter, and brighter sounding than analog delays though many digital delays search to emulate the sound of analog pedals. Whereas earlier digital delays typically merely used digital IC chips (the Princeton PT2399 continues to be a well-liked selection in some trendy delays), many trendy pedals push the bounds of DSP to transcend what “digital” delays have been previously recognized for. The TC Electronic TC 2290 is a famous digital delay rack unit.
Best for: correct repeats of supply materials, clean and shiny tones

Reverse – Reverse delay simulates the sound of recording audio and enjoying it backwards. Unique reverse tape delay effects might be heard in songs like Are You Skilled? by The Jimi Hendrix Expertise and Tomorrow Never Knows from The Beatles’ Revolver album. Delay pedals achieve reverse results by digital means, enjoying the digitally recorded audio backwards. Use a totally moist (or “Kill Dry”) setting to simulate basic reverse delay sounds.
Best for: mid/late-60’s reverse guitar sounds, experimental textures

Modulated – Most trendy delay pedals supply some sort of modulation to apply to your repeats. You’ll see such choices on many analog and digital delay pedals, and tape delays typically have “wow & flutter” parameters to simulate the warbling of previous tape. Primarily, modulation is a separate effect applied to varied forms of delay, but some guitarists (like The Edge) have made this such an integral part of their sound that it’s value mentioning as a selected sort of delay. It’s sometimes an non-compulsory impact, so you’ll be able to either scale back “Depth” or deactivate modulation in the event you favor a dry delay tone.
Best for: delays with motion and more presence

Other Forms of Delay – There are various other much less widespread kinds of delay. Dynamic Delay geese the quantity of the delayed sign whenever you play. Pitch-Shifted Delay is turning into extra widespread with many pedals providing numerous forms of pitch effects on the repeats. Multi-Tap Delay (or Pattern Delay) presents multiple delay faucets, typically with numerous rhythmic placement and positioning in the stereo subject. Some pedals supply a Maintain or Stutter Delay performance where repeats may be generated at length for glitchy, stuttering effects. Granular Delay, while extra widespread in VST software program plugins than in pedal type, is a method of delay that chops up your signal into items and delays them. Most of these obscure delay results are found in DSP based mostly digital delay pedals, arguably probably the most versatile sort of delay for all kinds of makes use of.

The pedals that made our listing aren’t in order from greatest to worst, but because the writer of this article, I assumed it might be enjoyable to start out with a number of of the newer pedals that have turn into current favorites of mine. Regardless of your preferences, there ought to be a pedal right here that’s proper for you.

Listed here are the Top 23 Best Delay Pedals of 2019!

Strymon Volante

Builder: Strymon, Pedal: Volante, Delay Varieties: Tape/Drum Echo

The Strymon Volante could be the remaining phrase with regards to DSP emulation of basic Echorec & tape fashion delay sounds in pedal type. Sure, that may be a colossal assertion to make, however if you take into accounts the good effort Strymon put in to create a pedal that mirrors the broad range of the sounds which might be extensively thought-about among the biggest delay tones of all time, this boast could seem extra like reality than fiction.

The greatness of the Volante doesn’t rest only in its personal accomplishments – the pedal is a continuation of a robust pedigree and the end result of every little thing Strymon has achieved previously within the realm of tape & drum inspired delay effects. The tape delay seeds have been planted in Strymon’s El Capistan and the TimeLine’s dTape machine. Then the BigSky, Strymon’s flagship reverb pedal, teased the drum impressed Magneto algorithm. The Deco got here later, capturing the early delay results of studio tape machines. Then Strymon introduced the Magneto moniker front and middle for their debut multi-head delay Eurorack module. And of course, now there’s the Volante, an extra refinement to all of Strymon’s efforts in basic delay inspired effects, setting the bar even larger above every little thing else that got here earlier than in many ways.

The Volante gives Three delay Varieties: Drum, Tape, & Studio. Drum is the magnetic echo delay, impressed largely by the legendary Binson Echorec. Tape conjures up basic tape delay sounds; take into consideration the Roland Area Echo RE-201 & RE-501 models. And Studio produces studio type echo akin to reel-to-reel tape machines. Whereas the base Sort options do have their very own delicate and distinct tonal characteristics, each of those delay modes can be used with the complete suite of choices onboard Volante. Need a hybrid studio echo with four playback heads? You’ve acquired it.

A plethora of surface control knobs give users open entry to a wealth of helpful parameters that negate the necessity for menu-diving. A couple of highlights are the Rec Degree which controls the input feeding into an analog preamp part earlier than it hits the digital processor. The analog/DSP magic occurring right here helps give the Volante some characteristic saturation and grit as you push the Rec Degree up. The Spacing knob (together with the 4 playback heads) permits you to dial in an incredibly wide selection of repeat spacing variations which is particularly distinctive when set within the areas between the Even, Triplet, Golden, & Silver settings. The Low Reduce is nice for maintaining low finish clarity, and Put on reduces the constancy of the playback medium to darken up the tonality of your delays. The Mechanics knob dials in quite a lot of mechanical defects, adding movement and lo-fi irregularities to your sound. And that Spring knob adds a very respectful spring reverb into the combination for some basic ambience that compliments the delays very nicely.

All probably the most important parameters are accessible by way of the surface, so you possible gained’t should seek the advice of the consumer guide time and again to entry unlabeled hidden parameters needed for common performance. The result is a tactile, interactive interface that permits intuitive exploration of sounds. (But there are some additional bells and whistles under the floor including the useful Spring Reverb Decay, a very helpful “Live Edit Function” for getting your reverb sounding good, and it’s simply accessed by pressing and holding Suggestions buttons 1 & four while turning the Spring knob–you’re welcome.)

While the options and controllability appear to set the Volante up to be a really capable and strong delay pedal on the very least, what makes it really shine is how nice it sounds. Once you’ve arrange a nice rhythmic delay and begin enjoying into it, it’s exhausting to not be mesmerized by the journey this pedal takes you on. Push up the Repeats, and simply take heed to how the pedal oscillates and morphs the texture of your echoes. The best way the Volante responds to the sound of your guitar’s numerous pickup settings is simply awe inspiring; it’s interactive and plush, merely a pleasure to play in every means. Volante might be delicate and complementary or a deep instrument unto itself that you may use as the idea for your whole sound notably if you start exploring Volante’s (mono) Sound On Sound capabilities.

And there are tons extra options that add to Volante’s arsenal of prospects. Having 8 onboard presets is good with the Favorite foot-switch supplying you with quick access to your go-to favorite. 300 complete presets are available by way of MIDI recall. Actually, Volante’s MIDI implementation is extremely deep with almost every conceivable facet of the pedal capable of be controlled remotely by way of commonplace 5-pin MIDI or USB. There’s additionally a multi-function EXP jack which can be used for several fascinating things, a couple noteworthy options being parameter expression pedal management or connecting Volante to Strymon’s MultiSwitch Plus for extended performance functionality.

The Volante is a flexible and galvanizing pedal and is arguably the brand new pinnacle of vintage impressed delay pedals.

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Free The Tone Future Manufacturing unit

Builder: Free The Tone, Pedal: FF-1Y, Delay Sort: Dual Digital Delay

Free The Tone have garnered a exceptional popularity for building reliable results of supreme construct high quality which are thoughtfully designed to satisfy the wants of demanding professional musicians. The Flight Time was Free The Tone’s previous digital delay masterpiece, a bold high-fidelity digital delay with a singular retro future aesthetic. (The Flight Time FT-2Y continues to be in production and seems later on this article.) However Free The Tone are all the time in search of new sounds and new ways to improve their designs, and the Future Manufacturing unit RF Part Modulation Delay is the builder’s newest offering and a very bold foray into uncharted new territory.

The Future Manufacturing unit gives two unbiased delay strains that can be stacked in collection in mono or run in parallel in stereo. This provides the pedal two distinct ways to strategy utilizing the pedal depending in your specific setup, and each of these integration options comes with a compelling set of advantages value considering.

In case you’re operating an ordinary mono rig like in all probability 90%+ of guitarists, then you definitely’ll take pleasure in having two unbiased digital delay strains that cascade into one another in collection. Each delay strains could be dialed in together or individually with most parameters being shared between each delays. You’ll be able to set particular person delay occasions and tap divisions for each delay or just use one delay or the other as needed, putting both in Standby with a dedicated button. The Smooth Clipping perform applies to one of many delays (and thus is right for mono use) and may saturate your delayed signal in a satisfying approach with a touch of overdriven grit. Even at excessive settings, you’ll notice a dynamic drive response and may control the breakup together with your decide assault. And in mono the Pan controls truly add a tremolo impact to one of many delay strains, supplying you with some additional second you could also combine with the pedal’s majestic modulation.

Stereo guitarists will discover a completely separate digital delay expertise that basically shines because of Free The Tone’s impeccable consideration to sonic detail. Having two delays with totally different divisions/delay occasions panned onerous left and right already creates an enormous stereo sound. Add in some modulation and issues get extra lush. Then activate the “RF Phase Modulation”, and your enjoying dynamics will trigger modifications in the stereo modulation movement for extra ear-catching interest. This already sounds very expansive, but there’s more. The stereo panning choice provides the delays an much more stratospheric quality, creating huge spacious movement that may enliven the sound even in the event you’re utilizing the same delay time and faucet division on both the left and right delays. I used to be a bit skeptical concerning the necessity of all these features, but the sheer great thing about the sounds coming from this pedal validates all the effort Free The Tone put into it. It’s very much value exploring.

Tone obsessed guitars will respect the stainless high quality of the Future Manufacturing unit, comparable in caliber to Free The Tone’s venerable Flight Time pedals. And if you’d like deeper management of your delay tone, both delays have devoted 3-band EQs with a number of choices on each band for setting the Frequency focus level. And the delay strains have common Tone controls as properly. This provides guitarists a huge tool-kit for dialing in good delay tones that may sit nicely in a mixture during performance and in the studio.

There are plenty of other helpful options–128 presets (four recallable by way of the Tap foot-switch), part inversion, trails, deep MIDI control, and extra. However arguably the only largest promoting point is that the Future Manufacturing unit sounds phenomenal, and is certainly in that prime handful of probably the most inspiring digital delay pedals around.

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Seymour Duncan Darkish Solar

Builder: Seymour Duncan, Pedal: Darkish Solar, Delay Varieties: Digital Delay + Reverb

The Seymour Duncan Darkish Solar is likely one of the most shocking delay pedals I’ve performed in 2019. I can’t say enough that it actually caught me off guard. It was designed in collaboration with Mark Holcomb of the band Periphery to be a song-writing companion, the type of pedal you can plug into and immediately get inspiring ambient sounds to propel your artistic endeavors. And the way the Darkish Solar succeeds in its mission is what makes it so compelling.

The Darkish Sun is a hybrid “Digital Delay + Reverb” pedal. The combo of delay and reverb in a single pedal already places the Dark Sun ahead of most delay pedals that solely supply delay and no reverb. Nevertheless it wouldn’t matter if the sound quality wasn’t on point, and fortuitously, the Darkish Solar shines in this area.

The Reverb is hall fashion ‘verb with two controls for Mix & Size to determine how much reverb you’re including to your sign and how massive it sounds. The Reverb can be utilized with the delays or independently, and it’s versatile enough to supply a brief room-like atmosphere or big, cavernous reflections. Time was put in right here to create the right companion piece for the Dark Sun’s myriad delay sounds. And that’s the place things get really fascinating…

The Dark Sun has an Eight-position Delay Mode knob that provides customers quick starting points for getting their delays shifting. The primary 4 settings are for commonplace divisional settings together with quarter notes, dotted eighths, eighth notes, and triplets. The Pattern setting combines quarter notes and dotted eighths for a basic fashion of syncopated delay repeats (a sound that’s particularly lush with modulation). Then there’s a the Reverse setting, and I need to do a full cease right here and say that the Dark Solar incorporates some of my personal all-time favourite reverse delay sounds. I’ll clarify why in a moment. Rounding out the Delay Modes are a Ping Pong delay and a Reverse Ping Pong, both of which sound strong in stereo.

Along with an expected delay parameter assortment, there are several distinctive features obtainable from 6 parameters linked to the Tweak knob. You’ll be able to apply modulation with Fee & Depth controls and even set the Mix of modulation utilized to both the Delay & Reverb. (Tip: crank the Mix to place the modulation only on the reverb and luxuriate in some epic, haunting modulated hall reverb.) The HPF & LPF are incredibly helpful for shaping the tone of each your delay & reverb, rolling off the lows and highs, respectively. I can’t overstate how powerful the filters, notably the HPF which I find essential for sustaining a decent low-end on both reverb and delay sounds. And eventually, the Saturation provides an overdriven factor to your moist sign to make issues sound a bit dirtier and more lo-fi.

The Dynamic Expression perform is a remarkably helpful perform, ducking and mixing within the delay & reverb in response to your enjoying dynamics. This is the Darkish Sun’s secret weapon and the key to unlocking some very distinctive sounds. The Dynamic Expression is what makes the Reverse Delay so compelling to me. You possibly can set the Reverse to 100% moist for that basic backwards guitar sound, then dial in the Dynamic expression good to have your choosing dynamics heard and have your guitar notes morph backwards. Very cool. And whereas the Reverb appears to be lacking a dedicated pre-delay control, the Dynamic Expression can duck the reverb away from your decide assault to provide your guitar room to breathe. These are just two of the various uses you’ll discover for this perform.

In comparison with other hybrid delay/reverb pedals at its worth point, the Dark Solar stands competitively in contrast to the remaining with its deep function set, exceptional ease of use, and unimaginable sounds. And I didn’t even point out the 128 presets, MIDI I/O, optionally available Trails spillover per preset, and routing functionality (the delay/reverb ordering choices being notably useful).

Yes, the Dark Solar is superior, perhaps Seymour Duncan’s greatest pedal providing up to now, and it’s simply top-of-the-line delay pedals of the yr.

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Purple Panda Particle V2

Builder: Purple Panda, Pedal: RPL101 V2, Delay Sort: Granular Delay

The unique Pink Panda Particle has been a contemporary basic for years now, a wildcard delay pedal that provided musicians something bizarre and totally different from the standard delay pedals that many builders seem content material on hashing out. But many followers of the original Particle (myself included) have lengthy been asking for certain small improvements. Properly, Pink Panda was listening, they usually’ve released what is arguably the perfect model of the Particle idea in the new Particle V2.

The Particle V2 sought to retain all the performance and sound design points of the unique whereas enhancing upon its predecessor in just about each attainable means. Among the many most noteworthy improvements to the Particle is the inclusion of presets, with 4 slots out there from the floor of the pedal. The Particle V2 has an incredibly wide selection of sounds in its arsenal, and now you’ll be able to simply save and recall your creations. That alone shall be well worth the worth of admission or upgrade for many.

The Faucet/Freeze foot-switch is another big draw, letting you easily sync your delay tempo (and different parameters) and activate the Freeze perform. It’s nice to lastly have the Freeze on a foot-switch, so you’ll be able to prolong the pulsing choppiness of sure sections after which release the Freeze to let the trails drift away normally. And naturally the MIDI functionality is an enormous deal for many musicians, letting you recall 127 presets and take full control of the Particle V2’s surface parameters and additional performance (like combining a number of modes together for new sounds). There’s additionally stereo I/O by way of TRS jacks, so if you wish to place the Particle V2 in between your different stereo pedals, you’ll be able to.

Whereas the Particle V2 does capture the sounds and modes of the unique Particle, there are delicate sonic differences, notably a more hi-fi quality. The actually glitchy sounds seem sharper and tighter, and the pitch shifting is smoother. There’s truly a extra organic quality to a number of the sounds, in a cybernetic bio-machine sort of approach. The Particle V2 is simply a much more refined model of Pink Panda’s granular delay expertise. Also, as Pink Panda has completed up to now with the Tensor, anticipate to see firmware updates on occasion, some that would add compelling new performance to the Particle V2.

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Line 6 HX Stomp

Builder: Line 6, Pedal: HX Stomp, Results Varieties: Multi-Effects

The Line 6 HX Stomp makes yet one more look on considered one of our greatest pedal round-ups, and it’s right here where the pedal arguably deserves probably the most recognition for how nicely it excels at a specific sort of impact. The HX Stomp comes armed with the complete arsenal of basic delay algorithms from the Line 6 DL4 Delay Modeler (which continues to be in manufacturing). And the pedal also boasts a staggering quantity of recent and up to date delay algorithms to cowl any of the extra widespread delay needs of recent guitarists. And every of the HX Stomp’s detailed delay algorithms has an assortment of tweakable parameters that ensure you’ll be capable of dial in stellar delay sounds, whatever the state of affairs calls for.

The 20 new Helix grade delays and legacy DL4 models offer you plenty of sounds to attract upon, however the HX Stomp permits you to run up to 6 effects blocks at a time. So you would run multiple delays in collection or parallel, and even mix them with reverb or modulation effects, among other things. While it’s obviously a “multi-effects” pedal, in the event you strategy the HX Stomp specifically with a delay targeted mindset, you’ll see that the chances of this pedal in that area alone eclipse almost anything out there. The HX Stomp is among the definitive trendy guitar pedals at present obtainable, and it’s additionally probably the greatest delay pedals as nicely.

Read The Line 6 HX Stomp Assessment

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Chase Bliss Audio Thermae

Builder: Chase Bliss Audio, Pedal: Thermae, Delay Sort: Analog / Pitch-Shifting

Chase Bliss Audio already pushed analog delay farther than some other builder with the universally acclaimed Tonal Recall and Tonal Recall RKM, they usually’ve someway managed to do it again. The Chase Bliss Audio Thermae is an analog delay and pitch shifter that utilizes four MN3005 chips to realize some unbelievably superb delay sounds in contrast to any which were heard earlier than.

The Thermae is a posh pedal which will initially appear overwhelming not only for delay pedal novices but even those already conversant in Chase Bliss Audio’s different master-crafted pedal designs. However after you wrap your head around the fundamentals, you’ll be in for a few of the most unique and delightful sounds you’ll ever hear from a delay pedal… even should you nonetheless don’t fairly perceive precisely the way you’re attaining the sounds you’re listening to.

Right here’s temporary rationalization of what the Thermae does and how it works…

With the Int 1 & Int 2 knobs pointed up at noon, you’ll primarily have a regular analog type delay. As an alternative of setting tempo with a “Delay Time” knob, you tap in your tempo with the left foot-switch. Normal stuff, nevertheless it sounds killer. You need to use the resonant LPF to comb the tone all the best way right down to silence, and pressing and holding the left foot-switch induces self oscillation.

Flipping the Modulation dip-switch on the highest of the pedal allows entry to the killer mod section. You get controls for mod Velocity & Depth, a flip-switch for choosing triangle, sine, and sq. shapes, and a center toggle management at adds glitchy warbling anomalies to the modulation for some additional bubbly textures. This can be a distinctive difference from Tonal Recall and Chase Bliss Audio pedals that function “ModuShape”, and it’s a very becoming addition to the weird sounds Thermae could make.

With the Modulation dip-switch in its regular “Off” place, the Int 1 & Int 2 knobs and their adjacent toggle-switches supply some wild sound design prospects. The 2 knobs management a pair of pitch-shifting intervals that vary from -2 to +2 octaves. The row of three flip-switches will set the tap-division of the delay and a couple of sequenced pitch-shifting intervals. The sequence repeats on the tempo set by the Tap Tempo foot-switch (or MIDI Clock/MIDI Faucets). The actual complexity is in making an attempt to wrap your head round deliberately creating sounds you assume you need to hear, however I’d advocate not desirous about it an excessive amount of and simply having fun with the infinite glad accidents you’ve stumble into. Just keep in mind to save lots of those discoveries as presets!

The Thermae is surely probably the most unique and revolutionary release from Chase Bliss Audio and undoubtedly one of the inspiring pedals to think about when you’re wanting for something totally different than your run-of-the-mill delay pedal.

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Meris Polymoon

Builder: Meris, Pedal: Polymoon, Delay Sort: Digital Modulated

This yr’s listing of the perfect delay pedals is kicking off with the Meris Polymoon. Meris is a relatively new brand on the pedal scene, but with a collection of 3 epic pedals released last yr, Best Guitar Effects lauded the fledgling 3-person firm because the Best New Pedal Builder of 2017. Briefly, Meris is doing superior things, and the Polymoon is likely one of the boldest delay pedal releases in recent times. So what does it do? Properly…

The Polymoon’s sounds vary from easy digital delays to an entire signal chain of rack-quality effects stacked in collection (with parallel sign processing when you use the pedal in stereo). In the event you flip the underside Three knobs of the pedal all the best way to the left, you should use the top 3 knobs to dial in a easy delay sound. It’s strong and usable, and due to the Faucet Tempo with quarter & dotted eighth word options, it’ll handle most elementary delay duties with ease. By pushing the Alt button and turning the Feedback knob, you need to use the pedal’s Filter to cut the lows for vibrant “dubby” delays or roll off the high end for darker, analog flavored repeats.

The underside 3 knobs make issues more fascinating. Multiply provides in additional delay faucets in numerous patterns. You should use it to realize ping-pong delays in stereo or patterns that bounce throughout the stereo area. It still sounds killer in mono, but the Polymoon is a must-try in stereo in case your rig can accommodate it. The Dimension knob smears the repeats. At larger settings it might flip your delays right into a reverb-like wash; small amounts provide a pleasant delicate diffusion that provides your delays a extra ambient character. The Dynamics knob prompts a pair of dual-flangers that may either reply dynamically to your enjoying or transfer by way of LFO. (Tip: With the delay Mix turned down, the flangers can still be utilized to your dry signal.)

The dual-flangers are simply one of the many modulation options the Polymoon has. The button on the decrease right will add dual-barberpole phasers to your signal. You possibly can have them locked in time together with your faucet tempo or churning alongside at a sluggish zero.1 Hz velocity. The phasers make it sound as if your guitar is touring by means of a wormhole in area. The Alt parameters of the two left knobs are Early and Late Modulation choices, every with the ability to be either bypassed or set to 15 totally different lively modulation options. There are options for normal chorus-like modulation, FM modulation, and Pitch modulation. Sure, you possibly can choose any of those options in the both Early or Late positions.

You possibly can management each impact parameter of the Polymoon by way of MIDI. There are even a number of shock MIDI CC managed parameters like Half Velocity & Tempo (in addition to Time). The pedal additionally has 16 preset slots, but you’ll have to either use MIDI or the Meris Preset Change (bought individually) to access them. The pedal can accommodate instrument and line ranges, helpful with synths or in the studio, and are several other international choices for configuring the pedal to your wants.

The Polymoon has shortly develop into my personal most-used delay, and for those who’re the type of musician who can recognize the myriad sound design prospects this pedal provides, this forward-thinking instrument from Meris will like find a residence in your rig as nicely.

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Empress Effects Echosystem

Builder: Empress Results, Pedal: Echosystem, Delay Sort: DSP (Multi)

The Empress Effects Echosystem is the successor to the Canadian builder’s famed Superdelay pedal. And fairly than simply add stereo and a few different improvements to its mono-only predecessor, the Echosystem permits you to use one delay or two directly in dual parallel, twin serial, or panned left/proper in stereo. Not only that, however the pedal provides you dozens of delay algorithms categorized into numerous varieties, and any mixture of two (even two of the same) can be used together. For sure, this pedal is deep.

Forgoing the deep menu-diving of another multi-algorithm delay pedals, the Echosystem provides you knobs for the models tweak-able parameters all on the surface. The Thing 1 & Thing 2 knobs control distinctive parameters which might be unique to each algorithm. Aside from that you simply get normal delay controls for Mix, Suggestions, Delay Time/Tap Ratio, Tone (which may additionally range per algorithm), and an Output control to set your general quantity degree.

The Echosystem provides users 35 presets for saving your complicated multi-algorithm delay creations. You’ll be able to assign an expression pedal to regulate a number of parameters at one. It even allows you to use MIDI to take control over almost every perform. Empress Results lately up to date the pedal with a Looper that can be utilized with the delays, enormously increasing on the Echosystem’s artistic potential.

This pedal has so much happening for it that it was crowned the perfect guitar pedal of 2017. For those who want to keep things easy the Echosystem will not be for you, however all the options it has and with Empress Results regularly including new algorithms by consumer fashionable vote, for many guitarists this may be the final delay pedal you ever need.

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Eventide H9 Harmonizer

Builder: Eventide, Pedal: H9, Results Varieties: Multi-Effects

Yes, the Eventide H9 Harmonizer is far more than a delay pedal. It’s the last word multi-effects stompbox. However in case you have been to use the H9 in your pedalboard for simply its delay sounds alone, it’s nonetheless an exceptional value and should substitute some other delay pedal you at present use.
A normal H9 comes preloaded with the Classic Delay and Tape Echo delays. Further delays may be bought from the H9 Management app. An H9 Max comes loaded will all algorithms provides you all 9 acclaimed delays from the Eventide TimeFactor… and then some. The H9 exclusive Ultratap algorithm is a one-of-a-kind multi-tap delay that’s inspiring to behold. Then there’s also the just lately launched SpaceTime algorithm with fuses the TimeFactor’s Vintage Delay with an enormous plate reverb and a few modulation for good measure to create an impressive all-in-one algorithm that’s a superb last effect in your signal chain.

And let’s speak concerning the Eventide TimeFactor. I nonetheless keep in mind when the pedal was first announced. Yes, I joined the various guitarists whose jaws collectively hit the floor when first listening to that Eventide can be bringing their acclaimed studio effects expertise to stompbox pedals. The TimeFactor was one among their first guitar pedals and continues to be going robust at this time. The most important draw of this pedal is its use of twin delay strains across all 9 of its leading edge delay algorithms, allowing rhythmically complicated and tonally numerous delays that no other pedal can match (besides the H9, in fact). Its sensible knob format makes dialing in syncopated twin delays a synch, too. There’s also a dedicated (and lately refined) Looper, and I personally like “hacking” the pedal for collection operation by cascading one delay into the other and utilizing it in my amp’s effects loop. But in the event you don’t want the looper and need the superb algorithms of the TimeFactor plus an entire lot more, the Eventide H9 Harmonizer could be the best way to go.

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GFI System Specular Tempus

Builder: GFI System, Pedal: Specular Tempus, Effect Varieties: Digital Delay & Reverb

The Indonesian builder, GFI System, has been impressing guitarists for the previous few years with their extremely compact and powerful Clockwork Delay & Specular Reverb, each presently up to date to V3 revisions. The Specular Tempus combines all the algorithms from each of those pedals into one powerful hybrid delay/reverb combo.

The Specular Tempus provides you 13 reverbs, 13 delays, Three delay & reverb combos, and three diffused delay hybrids for a total of 32 distinctive algorithms. You can save and recall up to 32 presets, configure the pedal for on-board faucet tempo, ship the pedal’s tempo to other pedals, and even use a 3-button foot-switch to regulate bank scrolling and faucet tempo externally. There’s already a Send/Return loop, and naturally, MIDI. The free SpecLab app for Mac & PC permits you to entry extra performance as nicely.

A trio of “Classic” delay modes consists of Digital, Analog, and Echoes. The “Hybrid” delays take those Three delay algorithms and diffuse the repeats for a reverberated delay sound.

There are 10 “Esoteric” delay choices with lots of them offering solely distinctive sounds. The Spectral, Filter, and Formant modes provide coloration and texture to your delays; I notably just like the envelope-controlled Filter algorithm. The Spectral mode sounds virtually flanger-like while the Formant mode adds a throbbing, vowel-like effect to your repeats. The Transposer & Ambiental modes add pitch-shifting to your repeats. The Transposer permits you to select from intervals including Unison, Sub-Octave, Minor 3rd, Good 4th, Tritone, Good fifth, and Octave. The Ambiental mode, probably my personal favourite delay mode, is a stereo algorithm that allows you to use a “Glitter” parameter to steadily shade the repeats with both a Good fifth or Octave voicing for a shimmer like effect; the first couple repeats will ping-pong throughout the stereo area before resuming straight via the middle channel. It’s a really distinctive algorithm. The Dual Stereo, Twin Dotted, and Twin Gold algorithms make further use of the stereo prospects, and the MultiTap Three & MultiTap four modes every provide four multi-tap delay variations to spherical out the pedal’s delay offerings.

Among the many host of Reverb modes you’ll discover 3 extra “Hybrid” delay options: Reverb+Digital Dly, Reverb+Analog Dly, and Reverb+Echoes. There are various wonderful reverb modes obtainable as properly with a couple of standouts being GFI System’s signature Spatium algorithm, their lovely 70’s Plate mode, and a very good Shimmer that’s among the many greatest round. The Voices and Swell modes are nice Shimmer variations, too, and the Anti-Shimmer in “Doppler” mode produces some fascinating vertigo-inducing pitch descension.

One of the best thing concerning the GFI System Specular Tempus is the fact that in case you’re unsure whether to get a delay or reverb next, this pedal can fill the duties of either very nicely with some strong choices for use delay & reverb together. It’s also an excellent selection for a positioning between the delay and reverb you already have in your board for expanded ambient prospects. And for those who simply want the superb delays without the reverb, the GFI System Clockwork Delay V3 can also be nicely value considering.

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Eventide Rose

Builder: Eventide, Pedal: Rose, Delay Sort: Modulated Digital

The Eventide Rose is a deceptively easy wanting pedal that has a surprisingly wide selection of sound design prospects lurking inside its tidy interface. It’s a departure from Eventide’s previous DSP based mostly pedals, constructed around numerous digital and analog features to create an entire that this one thing altogether new.

At its most naked with all thorns plucked off, the Rose can perform as a easy digital delay line. This can be a rock strong delay that holds up to Eventide’s long-running expertise making a number of the world’s most wanted rack gear. From this primary sound you should use the analog Low-Move Filter knob to roll off the high-end and warm up your delay sound. This provides the pedal a more analog sounding vibe and widens the tonal palette properly. From there, including in some normal Sine wave modulation provides you a nice range of basic modulated delay sounds. And for those who push the “Phi” button, you get prompt reverse delay.

That’s rather a lot sounds with out actually going too deep, but there are indeed many extra sounds ready to be cultivated. When you minimize the delay vary you’ll be able to dial in some good chorus sounds and a reasonably strong flanger impact. You’ll be able to even get a faux-Leslie thing going. The Delay Multiplier enables you to minimize the resolution of the processor to get lo-fi delay tones as well as make the pitch and delay velocity improve and reduce.

The Rose has some handy options for interactive management as nicely. The HotSwitch can be used to toggle between “A/B” settings for every of the pedal’s 5 presets opening up fast access to additional sounds. With an expression pedal you possibly can even progressively morph between the 2 settings. Also, the HotSwitch can be utilized for Faucet Tempo or different neat features resembling triggering Infinite Repeat, toggling between Multipliers, or pausing/resetting the Modulation amongst different issues. The Rose also has some deep MIDI implementation that can be utilized by way of ¼” MIDI or USB, supplying you with even deeper management over all the pedal’s features do you have to wish to venture even additional into the rosy briar patch.

The Rose is a hanging pedal in many ways aside from its daring appearance, and it’s maybe probably the most unique pedal providing from Eventide to date and one that gives musicians an unique strategy to crafting delay sounds that can be quite in contrast to anything on the market.

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EarthQuaker Units Avalanche Run V2

Builder: EarthQuaker Units, Pedal: Avalanche Run V2, Delay Sort: DSP Delay + Reverb

The thought behind the Avalanche Run V1 delay & reverb was to take the simplicity and candy sounds of the best-selling Dispatch Grasp and broaden on the choices and usefulness (w/ Tap Tempo, Faucet Divisions, and so on.) while still sustaining ease of use (no Menus!). The Avalanche Run V1 was an enormous come across its release, shortly turning into what might arguably be thought-about the top representation of an EarthQuaker Units pedal. The Avalanche Run V2 Stereo Reverb & Delay refines their flagship pedal with several notable improvements.

Whereas the V1 had comparable delay & reverb sounds, the Avalanche Run V2 now encompasses a true stereo reverb which creates a much bigger expanse of sound when operating the pedal in stereo. The V2 also features EQD’s new “Flexi-Switch” performance on the Activate foot-switch; this allows you to press and hold the foot-switch for momentary operation so to use the delay/reverb on very brief segments of your enjoying. Do this with the Tails Mode to apply repeats to certain notes that may then cascade over your dry enjoying. As with the V1, you choose between True Bypass mode and 5 totally different Tails Mode options.

An fascinating V2 replace change has been the rise of enclosure width to be slightly wider than the V1. While some pedalboard area obsessed guitarists may initially glare at this, I feel it’s a refreshing contrast to pedals that squeeze foot-switches so shut collectively and so near the edge of pedals. Should you’re not using a MIDI results switcher and truly plan to step on the foot-switches of your pedals during stay efficiency, you want an inexpensive quantity of area between foot-switches to be able to activate effects without by accident stepping on others. (This enclosure width with further foot-switch spacing has additionally been carried out on the brand new EarthQuaker Units Pyramids pedal, so anticipate this to be the norm on EQD’s twin foot-switch DSP results pedals.)

But apart from the Avalanche Run V1 vs V2 modifications, what actually makes this pedal such an inspiration machine are its killer delay modes with the optionally available reverb for extremely lush atmosphere. The pedal provides you Normal, Reverse, & Swell modes. The Regular is a normal hi-fi digital delay; you need to use the Tone to roll off the high-end if you need a darker, more “analog” sound. The Reverse is a killer backwards delay; it’s a must-try with expression control for switching between normal and reverse delays at will. The Swell is a superb ambient digital delay that swells in your repeats when you play; shoegaze followers will dig this one. My favorite mode is the Reverse, notably for using like a regular delay however with the totally different textural sound of the backwards echoes. It’s killer with the reverb for floating, cloud-like ambience. The reverb itself is like a giant room or corridor for a nice, full sound, and you need to use the reverb’s Decay & Mix to dial in one thing delicate or large.

The Avalanche Run V2 is considered one of EarthQuaker Units’ greatest pedals and still among the best delay pedals obtainable.

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Alexander Pedals Radical Delay DX

Builder: Alexander Pedals, Pedal: Radical Delay DX, Delay Sort: Lo-Fi

The Radical Delay DX from Alexander Pedals is the brand new wildcard in this roundup. It’s primarily a lo-fi delay impressed by obsolete know-how, old skool video games, and all issues radical, depraved, gnarly, and bodacious. It also has 6 delay modes, all of which might be pushed into making loopy weird sounds which will make you assume the pedal is damaged or malfunctioning… however that’s all part of its appeal.

The good part of the entire pedal is the Clock parameter which reduces the resolution of the processor which in flip reduces the standard of all the things the pedal is doing. It’s numerous fun, like a singular take on a bit crusher type of destruction effect. It’s very rewarding to seek out methods to destroy your sound on occasion, like a system crash that blows up your guitar rig and then instantly returns the whole lot again to regular. Make your audience assume something went horribly mistaken, and present them how it’s oh-so-right.

The 6 modes start with one conventional-ish delay, and then issues get nuts. The Mod mode is an easy digital delay with modulation, albeit with a slightly extra lo-fi sound than your typical digital delay. It’s nice and may go from delicate to extreme. Clock it down and things go off the rails. The Twin delay stacks a couple delays in collection for pattern delays. Reverse is a gnarly take of that sort of delay with the Tweak knob letting you achieve fake tape stops like a broken Walkman. The Bend delay enables you to shift the pitch of the delays with numerous intervals spanning -1 to +1 octave. The Arp mode applies some auto arpeggiation to the delays with 8 selectable patterns obtainable. Insanity will shortly ensue when you spend an excessive amount of time with this one. And the Dynamic Delay is a kooky little algo that may dynamically change the delay time to bend the delay pitch and create all types of bizarre online game sounds and lazer chook noises.

The Radical Delay DX also provides you 16 presets, Faucet Tempo, MIDI management, and extra connectivity prospects by way of its MultiJack. While the pedal does pack in a ton of options in such a small enclosure, I’d say that with all the weird and loopy sounds this pedal can make, it’s just simply one of the crucial enjoyable unorthodox delay pedals on the market for those you want issues more than just a little bit weird.

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Strymon TimeLine

Builder: Strymon, Pedal: TimeLine, Delay Sort: DSP (Multi)

While many builders have encroached on Strymon’s commanding lead within the area of multi-algorithm delay pedals, make no mistake, the Strymon TimeLine continues to be the boss with regards to immaculate delays in a single self-contained pedal.

The Strymon TimeLine felt like a second coming on the planet of digital delay and DSP processing. With a hulking colossus of a processor and an engineering workforce who is aware of learn how to benefit from it, Strymon dropped a bomb on the pedal world once they released the TimeLine. With 12 of one of the best delay machines the world has ever heard (and an excellent 30-second Looper) there is a breadth of delay sounds on faucet that few pedals can even hope to deal with. The TimeLine can also be a standout delay pedal when it comes to MIDI implementation; it permits you to management any parameter or perform (together with all Looper features) from any MIDI-compatible controller, pedal switcher, or sequencer/DAW similar to Ableton Stay. Whether you simply need to drop it in your pedalboard and play or combine it into your mad scientist MIDI guitar rig, the Strymon TimeLine covers all grounds with ease and effectivity and still holds its own in a sea of formidable rivals.

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Dr. No Effects Moon Canyon

Builder: Dr. No Effects, Pedal: Moon Canyon, Effect Varieties: Delay/Reverb/Overdrive

The Moon Canyon from Dr. No Effects was made in collaboration with Sarah Lipstate of Noveller and represents a bold inventive statement that goes past its aesthetic presentation. Just take a look at it – this is among the most lovely wanting and artfully crafted pedals ever made and was clearly designed to encourage before you even plug in your instrument. Most importantly the Moon Canyon offers some distinctive sound design prospects that warrant its inclusion on this record.

The Moon Canyon is definitely a multi-effects pedal with delay being the final impact within the pedal’s sign chain. The delay circuit is predicated around a PT2399 digital delay chip, and the sound has been tuned to have a heat analog type character with a max delay time clocking in at just a little over 500mS. The delay controls are simple sufficient with knobs for Repeats, Time, and Mix. The delays dissipate easily as you improve the Repeats, and as you push the knob past noon in the direction of about 2 o’clock, the pedal will start to oscillate for that runaway trails effect.

The Moon Canyon’s Reverb is placed before the Delay which matches towards the convention of utilizing delays before reverbs. But while this signal circulate is much less widespread and lots of guitarists seem to default to the standard “delay before reverb” pedal order, this facet of the Moon Canyon is what contributes to its most original sounds. The Reverb itself is a superbly cavernous long reverb that also has a delicate modulation (which is extra noticeable if you crank the Reverb knob and solo the impact). In case you activate the Reverb & Delay together, you’ll feed the reverb into the delay, extending its atmosphere in a rhythmic pulse set by the Delay’s Time knob. In addition to the Delay’s capability to extend the Reverb decay, the Reverb will affect the sound of the Delay by imparting a subtle quality to the repeats which turns into extra outstanding as you improve the Reverb knob. Because the effects could be individually activated, you’ve got performance flexibility to add Delay to extend the Reverb on a whim or play with a normal Delay before adding in Reverb to vary the Delay sound; the foot-switches are additionally close sufficient together to shortly change between each effects with a single stomp.

There are three other noteworthy features the Moon Canyon provides. The far right foot-switch activates a Drive part that brings in a very respectable Three-knob overdrive (with Tone change) that’s based mostly around a JRC4558D chip, a revered IC that’s been used within the TS-808 and different noteworthy overdrive pedals. The Loop foot-switch activates an exterior results loop that’s placed between the Drive & Reverb, useful for including in different effects. (I personally like to use the Moon Canyon’s Loop I/O to route the Drive and Reverb/Delay sections to two separate ship & return loops on an effects switcher; this enables distant entry to each the Drive and a Reverb/Delay combo setting.) The Moon Canyon additionally boasts two mono outputs for splitting the signal to feed two amps or separate effects chains. The Moon Canyon can satisfy your primary delay needs whereas including some artistic potential to your pedalboard.

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Chase Bliss Audio Tonal Recall (unique & RKM)

Builder: Chase Bliss Audio, Pedal: Tonal Recall & RKM, Delay Sort: Analog Delay

The Chase Bliss Audio Tonal Recall and Tonal Recall Pink Knob Mod are on the head of the pack in relation to basic analog delay tones for trendy guitarists. Utilizing reissued MN3005 chips, the Tonal Recollects revisit and refine the sounds made legendary by pedals just like the Boss DM-2 and Electro Harmonix Deluxe Reminiscence Man. While these pedals supply a slew of options, maybe probably the most commendable facet of these pedals is how Chase Bliss Audio engineer, Joel Korte, has been capable of obtain an impressively clean, low-noise analog delay sign that may be contoured to style with their respective Tone knobs. This allows you to dial in basic analog delay tones just like your favored vintage unit but with less noise and grit than the rustic pedals of previous.

Whereas the specs of both pedals are comparable, the RKM is notable for containing 4 MN3005 chips (this unique Tonal Recall has 2). This doubles the attainable delay occasions up from 550ms to 1100ms. The additional circuitry raises the noise flooring barely, however most users gained’t thoughts. The oscillation of the Tonal Recall RKM can also be improved to be “smoother” to accommodate the longer delay occasions with larger Regen (suggestions) settings. The RKM may also be slightly brighter than the original Tonal Recall, however each pedals can still be darkened for equally murky delay sounds.

The modulation section is noteworthy for guitarists who respect the delicate motion of sure vintage delays. In addition to Price & Depth controls, there’s a waveform selection change that gives Triangle, Sine, and Sq. choices. Crank the modulation knobs and flip this toggle for some bizarre sounds. Maintain ’em low with Triangle or Sine waveforms for basic modulation.

The pedals also function presets (2 onboard, 122 by way of MIDI), tap tempo with 6 selectable divisions, True Bypass or Buffered Trails modes, exp/CV control of knob parameters, MIDI management of parameters & other functionality, and rather more. The pedals’ “Ramping” choices will let you automate the movement of knob parameters for evolving delay sounds and unique efficiency prospects.

The Chase Bliss Audio Tonal Recall and RKM variation are amongst this builder’s most beloved and universally praised releases, and fans of basic analog delay tones will discover much to like in both model.

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Catalinbread Belle Epoch Deluxe

Builder: Catalinbread, Pedal: Belle Epoch Deluxe, Delay Sort: Digital Tape

The Echoplex EP-3 needs no introduction amongst tape delay connoisseurs. The legendary sounds of this machine’s clean delay echoes, runaway oscillation, and sought-after pre-amp coloration give the EP-Three a fame that has long spoken for itself. Catalinbread already discovered success with their Echoplex inspired Belle Epoch (Eric Johnson is a noteworthy fan and consumer). But Mr. Howard Gee sought to go additional than another pedal builder before and create probably the most correct sonic copy of the long-lasting EP-Three in pedal type. His swan track of Echoplex emulation is the Catalinbread Belle Epoch Deluxe, the ultimate word in achieving true EP-Three tone from a stompbox.

All of the expected EP-Three facilities are here, from the juiced up 22-volt energy rail and (late spec) JFET preamp to the articulate delay part that emulates the sound and feel of the Echoplex without the tape and associated maintenance. How does it sound? In a word: lovely.

The Belle Epoch Deluxe’s main controls for the delay are Echo Delay (delay time), Echo Sustain (feedback/regen), Echo Quantity, and Document Degree which sets the enter sign degree for when it hits the report amplifier. This unique management ranges from full silence all the best way as much as a scorching overdriven sound. It’s nice for saturating the sound as it hits the delay; once it begins repeating, the delay signal will smoothly dissipate in a lovely diminuendo to silence. The Echo Maintain might be set greater (round 1-2 o’clock earlier than it starts oscillating) to actually get those good lengthy decay occasions. The controls are extremely interactive, notably how the Document Degree impacts the Echo Degree and likewise the decay from the Echo Sustain. As you refine the setting of one parameter, you’ll need to play with the others to get things good. Fortunately, it sounds pretty epic regardless of the place issues are set; it’s only a matter of managing your ranges and oscillation. And speaking of oscillation, there’s a devoted foot-switch to kick on spires of oscillating repeats at will.

The left two knobs warrant some temporary rationalization. The far left knob selects considered one of six packages from the Echo Program Matrix. The Depth knob controls the depth of the accompanying distinctive modulation for each chosen program. The Echo Packages embrace the Basic EP-3 tape voicing, a Dark “analog” voicing impressed by BBD analog delay pedals, a Roto-swirl setting that feels like an EP-3 operating by means of a Leslie, a Manually Sweeping Resonant Filter voicing that can produce wah-like sounds and different filtered tones, and two Deluxe Memory Man inspired modes, one for chorus and one for vibrato. An expression pedal is a should if you wish to take advantage of the sweeping filter mode or management the velocity of the Roto-swirl’s rotating speaker impact. And a pedal is usually useful for adjusting quantity on some settings or controlling the delay time, especially in combination with runaway oscillation.

This isn’t to be misconstrued as a evaluation verdict or to heap extra hype onto an already GAS-inducing pedal, however when you love tape delay, you want to do this pedal for yourself. And in case you’re an EP-3 fan in any means, you doubtless need this pedal.

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DOD Rubberneck

Builder: DOD, Pedal: Rubberneck, Delay Sort: Analog Delay

DOD is a beloved basic pedal brand that has been on an enormous upswing prior to now few years because of the efforts of Tom Cram and a staff of gifted individuals. DOD just about rose from the lifeless with its moniker showing on a number of strong pedals in recent times, the greatest of which is arguably the DOD Rubberneck Analog Delay. Not solely is it one of the best pedal in the DOD renaissance lineup, nevertheless it’s arguably the most effective analog delay pedal in the $200-300 worth vary.

The Rubberneck is loaded to the brim with options including some you gained’t discover in some other pedal. Probably the most unique facet of the pedal is its namesake “Rubberneck” function that allows you to stretch and compress the delay time to shift the pitch of your delayed signal up or down an octave, fitting for a pedal from a sister brand of DigiTech, the model accountable for the Whammy.

The three giant knobs provide controls for Time, Repeats, and Degree. The smaller dual-concentric knobs offer you control over modulation Fee & Depth and Tone & Achieve, the latter parameters being specific helpful for coaxing the most effective delay tonality and saturation out of this pedal. There’s also a tap division flip-switch and one other change that allows you to activate delay spillover Tails and mute the dry sign. Urgent and holding the Tempo/Regen foot-switch prompts oscillation, and a small mini-knob subsequent to the foot-switch units the onset for the regeneration. The Rubberneck effect is initiated as a momentary perform of the Effect On foot-switch with the Rubberneck Price mini-knob adjusted whether delay time is stretched or compressed and the way shortly it happens.

Except for all that surface management, there’s a Ship/Return jack on the back that permits you to use a TRS cable to insert other results within the delay chain. One other jack permits connection of the DigiTech FS3X Footswitch to remotely control Rubbernecking, Modulation on/off, and Faucet Tempo/Regen.

The DOD Rubberneck is likely one of the most feature-packed and versatile performance analog delay pedals ever seen and an exceptional product that showcases the devoted passion of Tom and the gifted workforce who spared no consideration to every detail when bringing this pedal to life.

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Strymon DIG

Builder: Strymon, Pedal: DIG, Delay Sort: Twin Digital Delay

Merely put, the Strymon DIG is an immaculate sounding digital delay pedal. It’s one of many best to make use of twin delay pedals out there and has loads of options for creating complicated or delicate rhythmic delays. It has Three modes – adm, 24/96, 12 bit – that each supply a difference in character, adapting this pedal to totally different types of enjoying. Tap tempo, expression management, and stereo outputs (and non-compulsory stereo ins by way of TRS cable) add additional utility. Be sure you attempt the secondary features as you possibly can additional tweak the tone, change the delays from collection to parallel, and even activate a ping pong delay mode when using it in stereo among a number of different things. The DIG is Strymon’s magnum opus in the realm of 80’s rack delay emulation.

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Source Audio Nemesis

Builder: Source Audio, Pedal: Nemesis, Delay Sort: DSP (Multi)

The Supply Audio Nemesis Delay is a pedal I’ve been wanting forward to for fairly a very long time (…since Winter NAMM 2015, Summer time NAMM 2015, & Winter NAMM 2016). It’s a powerhouse digital delay pedal in a reasonably compact format that options 24 delay engines (12 onboard, 12 accessed by way of Neuro app). That’s a reasonably large deal already. Then there’s Stereo I/O, Tap Tempo, Hold a.okay.a “Freeze” management, and full MIDI functionality with up to 128 presets recallable by way of MIDI. And that’s just scratching the surface actually.

The Neuro Cellular app provides incredibly deep control and preset management together with entry to the 12 further delay engines. Any of those delay engines could be downloaded and “burned” to any slot on the rotary encoder knob. The extra delay engines are undoubtedly value exploring as you’ll discover a dark and warbly Oil Can delay, a Complicated Rhythmic delay that gives more multi-tap variations, a high-passed Dub delay, and far more.

The actual genius of the Nemesis Delay is within the sheer amount energy it provides from its simple-to-use floor knob format. No menu diving wanted. Couple that with world-class delay sounds, and the Nemesis Delay is a winner if flexibility, impeccable sound quality, and ease of use are paramount to you. And do you have to need to explore the whole lot this pedal has to offer, the MIDI performance and Neuro Cellular app prospects are an enormous bonus whenever you need to get adventurous and need to dig deeper.

Make sure you explore the Intensity knob with each delay sort because it features in a different way in each mode. For example, in Analog Delay mode, the Depth will act as a tone fashion management, supplying you with vary of Dark, Warm, & Brilliant sounds. Within the Shifter Delay the knob will select from pitch shift choices together with -1 Octave, +Minor 3rd, +Major 3rd, +4th, +5th, & +1 Octave. This provides you deeper control from the surface of the pedal without the necessity for menus.

Source Audio have been doing great issues for a few decade now, however the Nemesis Delay will little question be the pedal that takes this formidable builder to new levels of success. It was a long time coming, but the Nemesis Delay was nicely well worth the wait.

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Electro Harmonix Canyon

Builder: Electro Harmonix, Pedal: Canyon, Delay Sort: DSP (Multi)

The Electro Harmonix Canyon Delay & Looper is an extremely versatile and value-packed multi-algorithm delay pedal. It provides you 10 wonderful delay modes and a succesful Looper. It additionally provides you faucet tempo with selectable sub-divisions.

While the pedal has many modes, it’s the standard (not the quantity) of them that makes the EHX Canyon a standout worth. It has modes that emulate the venerable EHX Deluxe Reminiscence Man, an incredible Tape setting, Echo for a straight digital delay, Mod for rack-style modulated digital delay, Multi for multi tap delay results, a strong Reverse delay that intelligently detects your enjoying to generate its repeats, a Delay + “Verb” mode that applies a plate reverb to your repeats, a killer Pitch Fork impressed Octave delay mode, a Shimmer mode that also attracts on EHX’s killer pitch algorithms, and an incredible Pattern and Hold mode that can achieve some superior stuttering delay results. Add to that a 62 second (!) Looper, and also you’ve obtained a sure-fire hit pedal.

The Tap In jack that permits users to tap in a tempo by way of an exterior foot-switch could be the promoting level that ideas the size in favor of this pedal over different single-stomp delay pedals. As nice because the Canyon’s modes are, it begs us to marvel what a flagship EHX multi-algorithm delay with presets, MIDI, and a cooler identify with less cringe-inducing paintings can be like. (Please, EHX, don’t call it the “Grand” Canyon. Ugh.) But the Canyon exhibits that EHX is more than capable of creating loads of world-class delay algorithms. The Canyon has the most effective pedal releases of 2017 and is definitely among the greatest reasonably priced delay pedals you’ll find in 2018.

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Strymon El Capistan

Builder: Strymon, Pedal: El Capistan, Delay Sort: Tape (DSP)

There are lots of delay pedals that attempt to emulate the sounds of a basic tape echo, lots of which do a reasonably strong job, however the Strymon El Capistan dTape Echo is no doubt the ultimate phrase in authentic sounding tape echo delay in a compact pedal. With Three totally different tape machines, every with Three totally different modes of operation, there’s an enormous foundation obtainable for building the last word tape echo sound. While the 5 surface knobs make it straightforward to dial in your tone, there are 5 extra “hidden” knob features (including reverb!) for 10 complete adjustable parameters. And while it definitely sounds superb, it’s the tap tempo that basically pushes this pedal over the top for me. Once you’ve dialed within the ultimate tape echo sound, you’ll all the time have the ability to sync it proper along to the music by way of tap tempo without twiddling with sliding heads or tape velocity. The El Capistan is a marvel of recent know-how and the last word tribute to the tape echo machines of previous.

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Free The Tone Flight Time FT-2Y

Builder: Free The Tone, Pedal: FT-2Y, Delay Sort: Digital Delay

In terms of straight up digital delays, Free The Tone’s Flight Time is arguably the new king of mono digital delay pedals. With a knob-less interface that recollects both the TC 2290 and the time travel input panel on the DeLorean from Again To The Future, the Flight Time FT-2Y is directly a tribute to the previous and testomony of the longer term.

The Flight Time FT-2Y succeeds the FT-1Y by including Line/Instrument degree choices, a handy Preset Swapping functionality, and a MIDI Out/Through jack for saving presets externally or connecting other pedals. Perhaps more notable are the interior modifications. Free The Tone has refined FT-2Y’s analog circuitry, power supply part, and digital circuits and firmware to dramatically improve the pedal’s sound quality. The FT-1Y already sounded implausible (with a notable consumer being David Gilmour who has been recognized to make use of two Flight Time models in his rig), however the FT-2Y produces an much more excessive fidelity sound.

The Flight Time provides you plenty of choices for crafting the right digital delay sound. You possibly can set Delay degree, Feedback, and general Output degree. Delay Time can me manually set in milliseconds or BPM or through the use of Tap Tempo and choosing from one in every of 10 subdivision choices. You possibly can set Modulation Fee & Depth for basic digital delay modulation effects. There are even dedicated Low Cross and Excessive Cross Filters for creating an ideal delay tone to put in the mix. The distinctive Offset parameter permits you to move the delay placement ahead or behind or a rushed feel or a behind the groove sound; this parameter is a delicate but very particular facet of the Flight Time that may improve the texture of your delays and help place the repeats in your mix higher. You’ll be able to even flip the part of the delays if needed.

There are some cool auxiliary options as nicely including a Trail perform and the BPM Analyzer which prompts an onboard microphone that may detect ambient rhythm sources and shift the BPM slightly to maintain your delays locked in time. Once I tested this perform by enjoying alongside to recorded music and growing or slowing the velocity barely, I was impressed that the BPM Analyzer truly worked as said. This could possibly be very helpful when enjoying with a drummer who isn’t enjoying to a click monitor.

You possibly can meticulously set the levels of all parameters and store them to 99 presets. You can even take control of most features by way of MIDI. A novel Rec & Repeat perform permits you to plug in an exterior foot-switch to realize use of very primary looping type functionality. I’m an enormous fan of the Hold perform; while a lot of the Flight Time’s sounds are in a more traditional vein, the Maintain could possibly be used to trigger stuttering repeats at will. The one real disadvantage to the whole package deal is the truth that the Flight Time is mono only, but that’s perfectly effective when you’re operating a standard rig with one amp. And for reside use it’s greatest to set up your presets and levels beforehand as you’ll be able to’t shortly grab knobs for fine-tuning whereas on stage. However the precision with which you’ll be able to craft your digital delays is second to none, and the Flight Time FT-2Y sounds flawless.

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That concludes our Top 23 Best Delay Pedals for 2019. Thanks for reading!

Tell us your favourite delay pedal within the comments!