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Top 20 Best Reverb Pedals for 2019

Welcome to Best Guitar Results’ Top 20 Best Reverb Pedals for 2019. The purpose of this text is to elucidate what reverb is, what it’s for, and show you how to determine for those who want a reverb pedal in your guitar effects arsenal. (Spoiler: you in all probability do.) We’ve also rounded up the 20 greatest reverb pedals and can provide some insights that will help you determine which one is greatest for you.

What Is Reverb?

Reverb is the persistence of a sound after it occurs as it displays off of surfaces in the surroundings until its amplitude (audio volume) reaches zero. Think of it because the sound that lingers within the air after it initially occurs. I wish to say that Reverb is the sound of area.

Do I Want A Reverb Pedal?

Reverb is a vital software for making a “space” for your guitar to exist within a mixture, reside or in the studio. Whereas stereo panning moves your guitar placement on a horizontal subject of left and proper, reverb creates a sense of depth by shifting your guitar closer or additional away in a mixture. A dry guitar sound shall be up close and have an “in your face” presence; including reverb will create an ambient environment and a way of your guitar being pushed to the back of the combination.

Reverb Vs Delay

A delay pedal produces repeats of your guitar enjoying. A reverb pedal produces ambient reflections of your guitar enjoying. These results are comparable in software as they’re each sometimes used at the finish of a sign chain or in an effects loop to create an ambient guitar sound that has extra presence in a mixture.

Using Reverb With Delay

It’s widespread to use reverb & delay pedals together, sometimes with delay coming first and being fed into the reverb. This combo will create repeats of your enjoying while the reverb creates a space for it all. Nevertheless, fascinating outcomes could be achieved by reversing the order to reverb then delay. Attempt a digital delay pedal after a reverb pedal to delay your reverb trails and prolong the reverb decay even additional. Or use an analog delay pedal with modulation so as to add heat and movement to the reverberated delay trails. You might even place a reverb earlier than a fuzz pedal and tub your guitar in noise. There are not any guidelines, so experiment!

Varieties of Reverb

There are numerous several types of reverb, every having totally different purposes. These are a number of the widespread reverb varieties found in guitar pedals.

  • Spring – Spring reverb is created naturally by a mechanical system that uses a transducer and pickup at opposite ends of a spring to create and capture vibrations inside the spring. Many guitar amps have included spring reverb, most notably the Fender Twin Reverb, and cumbersome amp-top spring reverb models are additionally out there. There are lots of reverb pedals providing digital emulations of spring reverb, and some corporations have even launched actual analog spring reverb pedals.
    Best for: surf/rockabilly tones, classic amp fashion reverb, “boingy” sounds
  • Room – Room reverbs are used to simulate the pure sound of an acoustic area, sometimes a small room. These reverbs usually have brief reflections that dissipate shortly. Room reverb can be utilized in its place for a slap-back echo sort sound or along side a slap-back delay to additional enhance the impact.
    Best for: brief/average reverb, slap-back echoes
  • Hall – Hall reverb is used to simulate the type of reverberation present in giant concert halls (not the hallway in your house). Corridor reverbs are usually a lot greater sounding than room reverbs with extra reflections and much longer decay occasions. You’ll typically discover variations of hall type reverbs with names like “cathedral”.
    Best for: lengthy/very lengthy decay, complicated reflections, giant sounding reverb
  • Plate Reverb – Plate reverb models have been large machines that fed audio into giant hanging sheets of metallic to supply a reverb sound that’s more targeted than a hall reverb while still capable of very lengthy decay occasions. The EMT 140, a 600lb monstrosity, is probably the most famous plate reverb. As plate reverb was primarily a studio impact, engineers might apply a delay before the reverb for a pre-delay impact in addition to fine-tuning its frequencies with EQ.
    Best for: brief to long reverbs, targeted reverb
  • Pitch-Shifted aka Shimmer – Shimmer, or pitch-shifted, reverb results have turn into very common in guitar pedals in recent times. These reverbs add harmonies to the reverb for otherworldly sounds. Octave up intervals (1 and/or 2) on the wet guitar signal are generally used to supply an ethereal, halo-like aura in the higher frequencies of the reverberated sign. Other musical intervals including an octave down are additionally widespread.
    Best for: “heavenly” reverbs, unnatural atmosphere, pitch-shifted reverb
  • Other Kinds of Reverb – There are various much less widespread kinds of reverb which are value mentioning. Reverse Reverb was created in the studio by recording the reverb trails and reversing them so that they lead into the sound supply; some pedals create fascinating variations of this with simulated reversed trails. A Gated Reverb will silence or scale back the extent of the reverb when your guitar’s volume drops under a sure threshold; this creates a much bigger sound when you’re enjoying however doesn’t muddy up the combination with reverb between your enjoying. Convolution Reverb makes use of audio samples and sophisticated algorithms to simulate real acoustic spaces. I’m aware of one pedal that’s attempted this (with restricted options); there’s definitely room for a pedal builder to innovate here. Other reverbs might add bit-crushing, modulation, delay, and other effects for distinctive hybrid reverb sounds.

The reverb pedals on this record aren’t essentially in order from greatest to worst, but we’ve put a couple of standout pedals in the direction of the highest of the record which are pushing the boundaries of what a dedicated reverb pedal is able to. Every of the pedals listed will cater to guitarists with totally different needs, and there ought to be something here that shall be right for you.

Now listed here are the Top 20 Best Reverb Pedals for 2019!

Dr. Scientist The Environment

Builder: Dr. Scientist, Pedal: The Environment, Reverb Varieties: Multi-Reverb

We’ve received to offer an enormous shout-out to The Environment by Dr. Scientist. This pedal made 2018’s Pedals of the Yr record, and it’s one of many more visionary pedals released in recent times. Numerous builders type of rest on their laurels a bit, they usually typically make improvements in small steps, not massive strides. For Dr. Scientist, The Environment attracts on their past expertise and makes massive pushes toward a future the place musicians will experience new ways to work together with their pedals.

From a design standpoint, probably the most eye-catching facet of The Environment (in addition to its lovely blue gradient sparkle end) is its giant shade display. This exhibits you which of them of the pedal’s 16 modes you’re utilizing and identifies a number of key parameters together with the CTRL 1 & 2 features that are totally different in each reverb mode. An array of 8 knobs, devoted EXP & MIDI Inputs, and a programmable Multi foot-switch offer you numerous ways to interact with the pedal.

In relation to sounds, The Environment provides plenty of basic types of reverb reminiscent of Room, Hall, Spring, & Plate and extra. And there are many hybrid varieties (numerous Modulation & Delay, Bit-Crushed, Filtered, Pitch, and so forth.) as well as a couple of impressed creations including Smear and Aether. (Take a look at the in-depth Pedals of the Yr article for extra information.) And what’s really fascinating is that the character of any of the reverb modes could be drastically influenced by the setting of the Res knob. This parameter modifications the resolution of the FV-1 chip from 16kHz to 32kHz, making the reverb sound extra lo-fi or detailed. It’s additionally extremely fun to adjust this parameter with an expression pedal to warp the reverb sound in real-time.

One curious facet of The Environment’s design is that the Tone management is an all-analog lively Treble circuit, letting you increase or minimize the high-end as wanted. The setting isn’t saved with the consumer presets; as an alternative, it acts extra like a Master Tone control. This might sound strange to the bed room shoegazer, but guitarists who gig recurrently will possible concentrate on how room ambience can change. Elements from wall floor materials to viewers density can affect the top-end of your sound. Having a Master Tone knob on The Environment enables you to dial in the pedal to the sound of the room you’re enjoying in. Whereas I’d usually choose to have my tone settings saved with my presets, this design “drawback” might truly be a boon for performing musicians. Not to point out the Tone knob truly sounds fairly good when boosted (for those who like brighter reverbs) and provides more of a hi-fi sheen fairly than including unwanted hiss and noise.

Also, massive kudos to Dr. Scientist for including in MIDI and 16 consumer presets (1 for each mode). Presets might be recalled by way of MIDI or by the onboard Multi foot-switch when you favor to maintain your rig easier. The Environment is a daring step ahead for Dr. Scientist and identical to how Dr. Scientist pioneered boutique pedal design with their early adoption of top-mounted I/O jacks and relay bypass foot-switches, I anticipate extra of their delicate influence to resonate by way of the pedal world because of the profitable execution of this ground-breaking reverb pedal.

Source Audio Ventris Dual Reverb

Builder: Source Audio, Pedal: Ventris, Reverb Varieties: Multi-Reverb

Supply Audio discovered themselves in the limelight after releasing their smash hit Nemesis Delay pedal. And the follow-up to their powerhouse compact multi-delay pedal is none aside from a twin reverb pedal. Quite than simply launch a normal reverb pedal that allows you to recall one algorithm at a time, the Ventris Dual Reverb uses two high-powered 56-bit DSP processors to generate one or two incredibly complicated reverb fashions of real and synthetic spaces.

The primary advantages of having twin reverb processors are that this strategy gives unique prospects which are unlikely to be found in most pedals. Even in the event you simply need to use one reverb at a time, the “preset spillover” that having two processors allows could also be engaging enough for some reverb obsessed musicians. And of course there’s the power to run two reverbs directly in collection or parallel variations that is in all probability the most important draw of the Ventris.

It’s actually value mentioning how good the algorithms sound. The convenient mode selector knob provides you fast access to 12 totally different reverb varieties, and these default algorithms are already extremely inspiring. Source Audio’s Neuro app presents much more reverb modes, and you may overwrite a number of of your favorites to any of the Mode knob’s 12 positions in case there are a couple of must-haves that you want fast access to. A number of of my private favorite reverbs are the Plate, Lo-Fi, and the Hall (and the various variations of these modes). And of course Supply Audio’s True Spring and Outboard Spring are arguably one of the best digital spring reverb algorithms at present obtainable; the builder’s impeccable work on this area even led to the builder releasing the standalone True Spring Reverb pedal.

The Ventris is just a monster reverb pedal. You will get arrange and going out of the field which can be positive in the event you run a normal rig persistently, however in the event you actually need to get probably the most out of the pedal, I’d advocate digging in with the desktop Neuro Editor for a lot deeper customization of the Ventris’ many sounds and parameters. If you need the widest range of extremely top quality reverb sounds in a pedal, the Ventris is tough to beat.

Anasounds Aspect Spring Reverb

Builder: Anasounds, Pedal: Component, Reverb Sort: Analog Spring

The Anasounds Factor is a remarkably special entry on this listing. The pedal’s improvement began with a aim to breed the reverb sounds from the legendary Fender Twin Reverb amplifier. Anasounds tried many various options including using the favored Spin Semiconductor FV-1, the Accutronics Belton BTDR, and early on even built a full-on tube spring reverb in their many attempts at carrying out their process. Their efforts lastly yielded a passable end in what we’ve right here: the Component analog spring reverb.

The Component is a standalone pedal that you simply hook up with one among three totally different spring reverb tanks: Le Bon, La Brute, or Le Truand. Their varying sizes and sounds give users a trio of decisions that may accommodate totally different preferences of sound and allocations of area. The Aspect itself is well designed with all jacks being top-mounted, letting the pedal fit conveniently on most organized pedalboards. The Le Bon tank might simply squeeze in on the surface or beneath the board. La Brute might also match beneath most boards. And Le Truand might match beneath some bigger custom boards or in your amp’s speaker cab.

The Component presents several unique parameter controls for dialing in your excellent spring reverb. The Mix and Out knobs will allow you to get the right blend of reverb in your mix. The lively High and Low EQ controls will allow you to get your reverb tone good by contouring the higher frequencies and shaping the bass, respectively. The Spring Saturation change slams the springs more durable for a warmer reverb sound and is arguably one in every of coolest elements of the whole package deal (apart from, in fact, utilizing real springs and with the ability to see them by means of the open windows of the tanks).

The Component carries the torch for guitarists in search of actual spring reverb, taking the basic sounds of early 60’s spring models and mixing them with trendy conveniences. The Component is hands-down the brand new must-try pedal for connoisseurs of real analog spring reverb tones who will settle for nothing lower than real spring “drip”, lo-fi mechanical grit, cavernous depth, and that unmistakeable cool factor of slamming your guitar sign via coiled metallic to supply your reverb. And don’t overlook the enjoyable of bumping the tanks for sporadic spring reverb pan crashes!

Line 6 HX Stomp

Builder: Line 6, Pedal: HX Stomp, Reverb Varieties: Multi-Reverb (+ Delay, & Much Extra)

Okay, I don’t often embrace “multi-effects” pedals in these roundups, however the Line 6 HX Stomp is such a recreation changer that it absolutely have to be included here. While this pedal presents a ton of effects spanning all classes, I’m going to concentrate on what it provides to musicians in search of a brand new a reverb pedal.

First, know that the HX Stomp lets customers chain together up to 6 results in “blocks” that are clearly seen on its massive illuminated LCD display. These blocks may be linked in collection or routed in parallel. Reverb (& Delay) blocks even have Trails On/Off choices, so switching between two reverbs inside a preset and attaining spillover is feasible. Issues get more fascinating once you layer reverbs and delays. You possibly can create large ambient sounds very simply that no other pedal comes close to matching. Delay into Reverb? Straightforward. Reverb into Delay? Yep. Both in collection? Uh-huh. Delay into Reverb into more Delay or Reverb? You get the thought. And that’s to not mention what else you can do by including in Modulation results and other effects varieties.

As for the reverb impact sounds, the HX Stomp has all of the legacy stereo reverb fashions from the discontinued Verbzilla pedal. Whereas some of these fashions still hold up fairly nicely, the bigger draw when it comes to reverb are the 5 new Helix quality algorithms: Glitz, Ganymede, Searchlights, Plateaux, and Double Tank. Their descriptions aren’t in the current guide revision, however from what I’ve gathered the sounds are as follows: Glitz is an enormous diffused reverb; Ganymede is a modulated hall-ish type reverb; Searchlights is an enormous ambient type reverb similar to the BigSky’s “Cloud” mode; Double Tank appears to be a plate reverb (not a spring mode as I guessed); And Plateaux is a pitched reverb with shimmer (not a simple plate mode as I expected). Every of those modes has been meticulously crafted, they usually’re on par with other top-tier algorithms from numerous reputable builders. And on a aspect notice, a few of the Helix reverbs have low-cut filtering which actually provides to the studio-grade function set; slicing low-end is essential to sustaining a clean mix, and most reverb pedals skimp on this essential function. With the HX Stomp you possibly can have huge reverb ambiance while not sacrificing a decent backside finish in your recordings and reside mixes.

Whereas I’m focusing on the reverb sounds here, the larger image features of the HX Stomp also contribute to why it’s top-of-the-line reverb pedals around. Having amp & cab modeling and a dedicated stereo ship & return FX Loop also add to the utility. You possibly can stack other pedals in your effects chain before or after reverbs, and you may place the reverb earlier than or after your amp & cab fashions. This routing versatility is unmatched in a triple foot-switch stompbox. For my private rig recently, the HX Stomp has turn into a staple whereas I’ve been switching other reverb and delay pedals out and in of rotation. The HX Stomp has develop into the baseline normal, and another pedals need to exhibit sufficient utility on their own to earn a spot beside this exceptional pedal. Attempt it for yourself, and also you’ll probably agree that the staggering quantity of options and sound quality are very impressive.

Eventide Area & H9

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Builder: Eventide, Pedals: Area/H9, Reverb Sort: Multi-Reverb

Area… the ultimate frontier… of reverb. We’ve gotta speak concerning the Eventide Area and give a shoutout to the H9 Harmonizer as nicely. Everyone knows that Eventide has been in the enterprise for many years making highly relating to rack effects processors. The corporate made an enormous splash within the guitar pedal recreation with their “Factor” collection stompboxes. Eventide’s Area advanced from those pedals, increasing the digital display with a huge panel that can present 12 characters, useful when utilizing presets. This pedal also marked a launch of such top quality reverb results that Area might arguably be thought-about one of the best pre-H9 pedal from Eventide.

What makes Area such a landmark release? In a word: BlackHole. This algorithm alone be might well worth the worth of admission for the infinite quantity of inspiration it brings. It’s an enormous wormhole of tone, a corridor blasted to infinity. If you’re prepared to return back out of your voyage to the celebs and gaze at them from our terrestrial area, attempt the Shimmer algorithm. It’s in all probability one of the best I’ve heard, not shocking contemplating Eventide’s long-held dominance within the pitch-shifting area with their Harmonizer merchandise. Area’s Reverse reverb can also be probably the greatest of that reverb sort I’ve heard, delivering backwards and forwards reverb and delay-like repeats. The Spring algorithm is surprisingly good and has plenty of parameters for setting up a reasonably convincing digital spring reverb. The basic Room, Corridor, and Plate modes are all nice with Plate being a personal favorite. ModEchoVerb combines refrain or flange with reverb and echo; feed it some distortion drenched guitar and go nuts. DualVerb provides you 2 independently controllable reverbs. MangledVerb is an overdriven/distorted reverb with detuning. And TremoloVerb takes an enormous reverb and applies tremolo to the paths; loads of waveform options (and dynamic control!) make this one loads of fun. DynaVerb applies a mannequin of Eventide’s Omnipressor for an adaptable, dynamically processed reverb with gating qualities.

Area has stereo I/O (and sounds superb in stereo), an Amp/Line Output Degree change and Guitar/Line Enter Degree change, MIDI I/O, Expression Pedal & Aux Change inputs, a programmable HotSwitch for onboard expression, true analog bypass, 100 presets (nameable with 16 characters), and faucet tempo with MIDI Clock Sync/Generate.

The Eventide H9 Harmonizer features all of Area’s algorithms plus the H9 exclusive SpaceTime which mixes chorus-like modulation with twin delays based mostly on TimeFactor’s Classic Delay algorithm and a reverb inspired by Area’s Plate algorithm and Eventide’s UltraReverb native plugin. It sounds superior, and you’ll find a demo of SpaceTime in our Eventide H9 Evaluation. Whereas Area continues to be a very formidable pedal because of its tactile knob management, guitarists who need a numerous array of Eventide’s effects, the SpaceTime algorithm, and the smaller form-factor of the H9 might discover that pedal to be a good higher fit for their setup.

Area: See the bottom worth on Amazon.

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H9: See the bottom worth on Amazon.

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Builder: Empress Results, Pedal: Reverb, Reverb Sort: Multi-Reverb

The Empress Effects Reverb is a unique sort of multi-algorithm reverb pedal. It appears deceptively normal with its sort selector knob and 12 algorithms, but the RGB LEDs subsequent to each sort will mild up in several colours to pick from a number of variations beneath every reverb sort. On the time of this writing there are at the very least 29 totally different reverb algorithms out there within the Empress Reverb.

What’s extra fascinating is that whereas Empress Results launched the Reverb with over 20 reverb effects, most of the new reverbs are being created in collaboration with users of the Empress Reverb pedal by way of the Empress Reverb New Options Voting Discussion board. Empress can also be working on an built-in Looper (yes, a looper in a reverb pedal) that’s being developed with feedback from the group being taken into consideration. Principally, this pedal presents a variety of room for enlargement, so in case you own the pedal and have an fascinating concept you’d wish to see carried out within the pedal, share your concept and be part of the collaborative means of expanding this pedal.

Once I first hear the Empress Reverb at Winter NAMM 2016, it was the Ghost mode that basically stood out for me. It’s a resonant reverb that creates haunting atmosphere. The brand new “Glummer” reverb underneath the Sparkle sort adds +1 and -2 octave voices and is a standout mode. The Gate mode beneath the Beer sort is entrance runner for the most effective gated reverb I’ve present in a pedal. I additionally fell in love with the Glitch reverb Beer mode. Loads of strange sounds in here for guitarists wanting for something a bit of… totally different.

There’s also an array of more conventional Corridor, Plate, Spring, and Room reverbs and a number of other Modulation reverb varieties with the flange reverb and tremolo reverb being a few my favorites. The Delay + Reverb modes are all value exploring. Ambient Swell is superb. The Reverse sounds are nice. And the Lo-Fi settings supply expectedly brittle, filtered reverbs. Stereo I/O, 35 presets, and the expression/MIDI input spherical out this exceptionally versatile reverb pedal.

Learn the Empress Effects Reverb assessment.

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Meris Mercury7 Reverb

Builder: Meris, Pedal: Mercury7, Reverb Varieties: Plate & Hall

The Meris Mercury7 Reverb is a pedal that gives musicians a cinematic reverb experience. It’s not likely truthful to classify the Mecury7’s two algorithms as simply plate and corridor inspired reverbs. Meris approached the creation of the Mercury7’s reverbs with inspiration from Vangelis’ unique soundtrack to the movie, Bladerunner. There’s an virtually otherworldly facet to the conception of this pedal, and you will get there by approaching the pedal with appreciation for what it goals to accomplish. Admittedly, I wasn’t as excited at first by the Mercury7 as I ought to have been primarily as a result of I was skeptical of the pedal having solely 2 reverb modes. However there are ranges to be explored and ascended to comprehend the greatness it has to supply. Once I lastly acquired to listen to it myself and play it first-hand, things clicked for me, and I came to understand what this exceptional instrument is able to.

The Cathedra algorithm is the larger, more expansive and slow-building ambient hall-ish reverb. It’s notably spectacular with copious amounts of Area Decay, and it’s really fun to explore with the Swell perform. The Ultraplate reverb is a plate fashion fashion reverb and is a personal favourite plate reverb of mine, notably because of its unimaginable sound in stereo. Even with only a trace of this reverb applied to my signal in stereo, I really feel that it just makes every part I feed into it sound better. I’ve had numerous enjoyable stacking reverbs with the Mercury7 adding the ending touches to some other mono or stereo reverb in my signal chain.

What adds to the sonic versatility of this pedal except for the two reverb modes are the few additional ways it lets you customize your reverb sound. The Modulate knob adds in some swaying modulation which creates motion and curiosity. The Pitch Vector can adding rising and falling pitch effects in addition to -oct, +5th, and shimmer effects. You’ll want to experiment with the Pitch Mix alt parameter to dial this in for greatest outcomes. There’s additionally non-compulsory Vibrato if you need even more modulation.

This isn’t the flashiest pedal of the Meris lineup (at present at 4 releases as of this writing), but the Mercury7 is my personal favorite Meris pedal released so far notably for how great it sounds and how nicely it integrates in a pedalboard setup. However like the rest of the Meris lineup, this pedal additionally excels in the event you strategy like a rack processor for use within the studio. It’s merely high-end in every means.

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Builder: Strymon, Pedal: BigSky, Reverb Sort: Multi-Reverb

Rounding out the “big 3” of dedicated multi-algorithm reverb pedals is the Strymon BigSky. Except for the beautiful sounds (which we’ll talk about in a moment), this pedal is an enormous winner if in case you have a MIDI based mostly rig or used a MIDI effects switcher. It’s the simplest MIDI enabled reverb pedal to integrate in your rig and Strymon has a full listing of MIDI functionality and commands of their BigSky reference guide.

But even when you’ve got little interest in MIDI and just need a multi-algorithm reverb pedal to use “as is”, the BigSky has more than sufficient sounds and options out there to make it a worthwhile funding. The 12 included reverb machines span the historical past of reverb with Spring, Hall, Room, & Plate modes. The BigSky has grow to be arguably the preferred trendy ambient reverb pedal because of its Swell, Bloom, & Cloud reverb machines. The Chorale reverb adds resonant vocal-like qualities to the ‘verb. The BigSky’s Shimmer has 2 voices every tunable to intervals starting from -1 octave to +2 octaves. The Magneto machine is an exciting Delay/Reverb that would have been found within the Strymon TimeLine; it uses 3, four, or 6 simulated playback heads to create its rhythmic echoes. The Nonlinear machine options a number of distinct reverb varieties including reverse reverb sounds and gated reverbs. The Reflections machine is a “psycho-acoustically accurate small-space reverb” in line with Strymon. It permits you to position your amp anyplace within its virtual area and creates its reverb sounds in accordance with the reflections inside that area. You’ve gotta hear this in stereo to completely respect it. Truly, every single considered one of these reverbs sounds superb in stereo.

The pedal’s 300 presets are straightforward to pick by way of the foot-switches. You may as well identify your unique reverb creations. Even for those who don’t dive into the menus, the surface controls make it straightforward to get usable sounds or search for a usable preset on the fly. It’s extremely low noise. The dry sign stays 100% analog. It’s obtained buffered or true bypass. There’s also a Cab Filter change for simulating the sound of enjoying by way of a guitar speaker cupboard (I’ve personally used it for gigs with satisfactory results). And there’s an expression pedal input for controlling parameters in real-time. The Strymon BigSky will probably be a staple on this listing until the day Strymon releases its successor.

Read the Strymon BigSky evaluate.

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GFI System Specular Tempus

Builder: GFI System, Pedal: Specular Tempus, Reverb Varieties: Multi-Reverb & Multi-Delay

The GFI System Specular Tempus is a sleeper hit pedal that mixes 16 reverb algorithms AND 16 delay algorithms in one fairly small stompbox. It’s in all probability the last word “either/or” reverb & delay. For those who need a brand new ambient pedal at the finish of your signal chain and aren’t positive whether or not to get a brand new delay or a new reverb, the Specular Tempus is actually two pedals in a single. Additionally, It has 3 Hybrid reverb modes with delays and three Hybrid “Diffuse” delay modes with a reverb-like sound.

As far as the reverbs go, there’s plenty of great sounds to cover most ground with varieties including Room, Tile Room, 70’s Plate, and Spring. The Spatium setting is the pedal’s signature reverb; it’s spectacular and large sounding, but it leaves your instrument room to breathe. There are many algorithms that get into extra ambient and experimental territory with Modulated, Shimmer, and Swell providing strong variations of the expected varieties of reverb they produce. The Vortex mode is a resonant reverb. Voices adds pitch-shifted voices to a Spatium fashion reverb. The Anti-Shimmer is a very cool reverb that provides earth rumbling low-end reverb sounds. Tremble is a tremolo-verb. And Infinity is GFI System’s take on an infinitely sustaining reverb that allows you to layer textual atmosphere for huge pad-like reverb results. The 3 Reverb + Delay Hybrid options offer you a Spatium type reverb with up to 800mS of both Digital, Analog, or Echo. And that’s not even counting the 16 impressive delay modes (see our Top Delay Pedals article for extra information).

GFI System has spared no attention to element with the Specular Tempus. Its top-mounted stereo I/O retains it compact, taking over little pedalboard area. It has 32 onboard preset slots. You need to use a 1, 2, or 3-button foot-switch to realize further management of the pedal’s features. It even has an Aux Out which may both ship its faucet tempo sign to a different pedal or management remote switching in your amp. And of course it has deep MIDI functionality if you need much more management. GFI System even created a devoted SpecLab software for Mac & Windows that permits you to further customize (and save) your sounds.
The Specular Tempus is just an unimaginable value and a brilliantly designed pedal that extra guitarists ought to experience first-hand. It’s succesful enough to cover plenty of floor whether or not you want high quality reverb and/or delay sounds.

Chase Bliss Audio Darkish World

Builder: Chase Bliss Audio, Pedal: Darkish World, Reveb Varieties: Twin Reverb

It looks like Chase Bliss Audio can do no improper on the subject of releasing smash hit guitar pedals. Followers have been clammoring for a reverb for years, however musicians didn’t anticipate that the builder would break with their “Digital Brain, Analog Heart” tradition by releasing an all-digital reverb pedal. What’s more, they teamed up with Cooper FX and Keeley Electronics to make a twin reverb pedal with both of these builders contributing 3 & 3 algorithms, respectively, to create an inspiring work horse reverb pedal that gives some surprisingly artistic and galvanizing options.

The left aspect of this pedal is the “Dark” aspect, offering 3 otherworldly algorithms that provide something just a little totally different from the norm. The Darkish World’s largest draw is definitely the Mod mode which is impressed by the Cooper FX Era Loss, a gritty, lo-fi, modulated VHS inspired reverb mode. Then there’s the Shim mode that gives a singular tackle shimmer fashion reverbs. The Black mode an infinite reverb responds to your enjoying samples to pattern and layer reverb texture behind your enjoying. On the appropriate aspect of the pedal are 3 strong modes which are inspiring by real-world reverb sounds. The Plate and Hall are comparable in use but supply totally different shades of tonality and reflection response. The Spring mode has a heavy “drip” sound, and the unconventional Pre-Delay for this algorithm permits you to offset it for a slapback fashion echo of reverb.

Things get even more fascinating once you route the reverbs in collection and parallel. Operating 2 reverbs directly supplies new sounds that wouldn’t be out there in any other case. And whenever you discover a combination of sounds you want, you can save your creations as presets. The Darkish World also has all the other expected Chase Bliss Audio features resembling Ramping, EXP/CV management, MIDI performance with 122 MIDI selectable presets, and compatibility with the builder’s “Faves” foot-switch for simpler access to 6 presets.

The Darkish World is yet one more unique pedal that further solidifies Chase Bliss Audio’s endearing popularity with their devoted following and provides newcomers an inspiring introduction to this distinguished brand.

Neunaber Immerse MKII

Builder: Neunaber, Pedal: Immerse MKII, Reverb Varieties: Multi-Reverb

The Neunaber Immerse MKII options a few of the greatest reverb algorithms you’ll hear in a compact stompbox, and also you’ll typically hear musicians evaluating Neunaber’s algorithms to those in pedals that value twice as a lot or extra. It’s not shocking both when you consider the fact that Brian Neunaber, the engineer behind the algorithms, is in a position to draw upon a programming experience and important attention to sonic detail honed by almost three many years of expertise in this subject.

Whereas I briefly talk about the sounds this pedal presents, remember that it is best to hear these sounds first-hand to know why they’re totally different from these of some other pedal in its class. The W3T algorithm is the 3rd iteration of Neunaber’s signature “WET” reverb. It presents an enormous, clean atmosphere that’s detailed and “more three-dimensional sounding”. In stereo that is much more obvious. Optionally available pre-delay of up to 200mS provides your guitar even more room in the mix. The Plate and Hall modes each supply stellar takes on their respective types of ambience with the Plate mode offering as much as 200mS of pre-delay and the Corridor providing non-compulsory Modulation. Spring is a strong algorithm that captures the “drip” characteristics of actual spring reverb pretty properly. The Sustain mode, constructed off the W3T reverb, is a favourite for infinite reverb sounds and lets you regulate the maintain and release of the layered reverb textures. Echo is a strong reverb + delay algorithm with 50-700mS of delay echo out there. The “↓tune” reverb provides a detuned chorus-like facet to the reverb. And eventually, the Shim is the newest iteration of Neunaber’s stellar shimmer reverb, arguably among the many best in this class of reverb amongst any notable pedals you might examine it to.

Perhaps most impressive is that the Immerse MKII’s algorithms are operating on the extensively used Spin Semiconductor FV-1 chip, yet this pedal sounds extremely more rich and detailed than another pedal I’ve heard using this chip. And the Immerse MKII can run in full stereo, delivering incredibly impressive reverb sounds that drastically exceed the sonic element musicians are used to hearing from pedals that use the FV-1 chip. It’s actually all in the algorithms, and Neunaber’s efforts show that lovely and detailed new reverb sounds can nonetheless be coaxed from the ageing FV-1.

The pedal additionally has a Kill Dry change on the top aspect and a Trails On/Off change, and because the Immerse MKII has no menus, no exterior control choices, and no presets, what you see labeled on the surface is what you get. Considering how great it sounds, the Immerse MKII will doubtless be a type of “secret weapon” pedals that may be superb to use within the studio. Should you’re putting it on your gigging ‘board and just need one great sound in mono or stereo, just dial in your sound quickly and easily, and you’ll be good to go. If sound quality is paramount to you, with value and worth being taken into consideration as nicely, the Immerse MKII’s humble look belies superb sounds and distinctive value which are onerous to prime.

Electro Harmonix Oceans 11 Reverb

Builder: EHX, Pedal: Oceans 11, Reveb Varieties: Multi-Reverb

Scorching off the runaway success of their Canyon delay pedal, Electro Harmonix launched a equally styled compact reverb pedal: the Oceans 11 Reverb. With 11 totally different reverb modes, EHX has made an exceptional and reasonably priced compact reverb pedal. Here’s why…

The Oceans 11 impresses with algorithms that appear much more detailed and galvanizing than many pedals on this worth range. The Corridor & Plate modes are great for long lingering trails, and each modes sound surprisingly clean. Electro Harmonix additionally put some additional time in with the Spring mode, giving it some of that “drip” and adjustable Spring Length, and a quick double-tap on the foot-switch (while in Trails mode) triggers a “kick” to the string tank which is novel and fun. Reverse mode is a reasonably strong variation of one of these reverb, sounding like a diffused delay played backwards; the Time knob units how shortly the reversed path rises and is sort of simply to dial in with good outcomes. Echo is a outstanding digital delay with plate reverb combo. Trem is a standout, making use of a tremolo to each a moist Corridor reverb and your dry sign; three totally different waveshapes (sine, triangle, and sq.) are available, and it has tremendous quick speeds for ring-mod effects. This mode is superior when applied to just a dry guitar – even without reverb! Mod applies either a chorus/vibrato or flanger to your reverb (EHX Flerb, anyone?), and you may even use each directly. Dyna provides swell effects, ducking reverb, and gated reverb choices. Auto-Inf is an infinite reverb that pulls upon EHX’s Freeze and Superego in the way it sustains and crossfades to build layers of reverb. The Shim is a standout shimmer algorithm which I want over a number of other pedals costing two to four occasions extra. The Poly mode added twin harmonies to the reverb and tracks extremely fast. You possibly can select harmonies in semitones, and it’s loads of enjoyable with 5ths and octave harmonies, even appearing as an alternative choice to the shimmer mode whenever you set the intervals to +1 octaves.

There are a number of choices obtainable for some modes (faucet divisions, pre-delay, and so on.), providing perhaps totally different prospects for dialing in the good reverb sound for almost any state of affairs. It makes me want that Electro Harmonix would launch a bigger version with presets and MIDI connectivity, but for now, this pedal provides guitarists a satisfying style of how far EHX’s reverb improvement has progressed through the years. With loads of strong reverb sounds and an unimaginable worth, the Oceans 11 Reverb is a standout reverb within the low-cost category.

Builder: Previous Blood Noise, Pedal: Darkish Star V2, Reverb Sort: Pitch-Shifting/Other

The Previous Blood Noise Endeavors Dark Star V2 takes their cult hit reverb pedal and adds expression pedal control. The superior sounds of this pedal make it one of the more fascinating experimental reverbs on the market. OBNE calls it a “pad reverb”, which means it’s meant for massive atmospheric, textural results, the type that invoke feelings from the soundscapes you weave with it.

There are 3 reverb modes within the Dark Star V2: Pitch, Delay, & Crush. The Pitch setting provides you dual pitch-shifted voices every of which may be manually dialed in to any interval from -1 octave to +1 octave. The Delay mode brings in a delay line after the reverb to increase the atmosphere into the empty void of area. The Crush reverb provides a single pitch-shifted voice from the Pitch mode together with a sample price reduction management that reduces your sign to bits.

The Dark Star V2 does convey again the useful Maintain perform which can spike the CTRL 1 parameter to its most, great for wild pitch jumps, however plugging in an expression pedal is where things really get enjoyable as you’ll be able to shift the pitch via its vary for surreal reverb sounds. The whole lot about this pedal from its sounds to its lovely paintings make it a modern masterpiece of experimental reverb greatness

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Builder: Free The Tone, Pedal: AS-1R, Reverb Sort: Multi

The Free The Tone Ambi Area was destined to be a strong reverb pedal considering the impeccable sound quality of the corporate’s Flight Time Digital Delay & Tri Avatar Stereo Refrain, however the Ambi Area surpassed my expectations for a number of causes. First, it’s undoubtedly the simplest to use multi-algorithm reverb pedal with presets. The interface is straightforward, making it a dream for performing guitarists who need just a few (as much as 4) totally different reverb sounds but don’t need to spend all day tweaking to seek out the right setting.

The 6 out there reverb modes all sound nice. I truly love the Spring mode which is rare. I not often use the Spring settings of any multi-algorithm reverb pedal, but I really like the feel of this one despite the fact that it’s extra of a pristine hybrid spring reverb sound as opposed to a 100% accurate emulation of a real spring reverb tank. The Plate, Room, & Corridor settings are all perform workhorse reverbs that carry out their duties properly. The Cave & Serene are unique takes on a hall-style reverb that have unique reflection patterns and density. Cave has a dynamic sound in its reflections that I really like, and Serene is my favorite Ambi Area reverb for lingering atmospheric sounds.

The Ambi Area’s surprisingly small measurement makes it a terrific travel board ‘verb for gigging guitarists who need great sounds, a few presets, and yes, stereo ins & outs. The Ambi Space is excellent in stereo. There’s even a Kill-Dry change for wet/dry guitar rigs and an Input Degree change for line or instrument sources. Kudos to Free The Tone for the MIDI in jack that permits preset choice, activating/bypassing the pedal, and CC management of parameters. Also, the absolutely silent switching ensures zero noise when activating/bypassing the pedal. It’s no surprise that the Ambi Area is such an awesome performance reverb pedal considering Free The Tone’s background in building methods for professional musicians. This one is very beneficial for performing guitarists who just want a couple of reverb sounds whereas nonetheless preserving their compact pedalboard setup as simple as potential.

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EarthQuaker Units Avalance Run V2

Builder: EQD, Pedal: Avalanche Run V2, Results Varieties: Delay & Reverb

When individuals take into consideration the Avalanche Run, they’re in all probability extra so fascinated with it as a delay pedal with reverb thrown in. That’s sort of what it’s, however the reverb is a central facet to why the pedal is exclusive in the first place, and approaching it with that in thoughts makes this pedal a compelling selection when you want a strong reverb pedal with some spectacular delay options as properly. The original Avalanche Run had a strong reverb, however it was mono solely. The Avalance Run V2 has upgraded the reverb to be full stereo, so the pedal now has a much fuller and more spatious stereo unfold.

The reverb itself appears pretty primary. It’s a plate fashion reverb with a touch of modulation. It can be brief and sparse or large and cavernous; it’s all dependant on how your set the Decay & Combine knobs. What makes this pedal an amazing reverb is approaching it more like a Delay+Reverb hybrid effect. The ambience produced by the reverb itself is strong by itself, but once you add within the good delay (by way of Regular, Reverse, & Swell options), the pedal comes alive and reveals itself as a lovely atmosphere machine that’s far larger than the sum of its elements.

I’d advocate operating it in Tails mode for spillover if you bypass the pedal. Additionally, you possibly can press and hold the Bypass with “Flexi-Switch” to add momentary bursts of reverb and delay that may only apply to your sign while the foot-switch is pressed. This provides extra artistic potential. And whereas the Regular delay mode works nicely with the reverb, the Swell mode is actually value exploring for extra interactive atmosphere. The Reverse mode can also be considered one of my favorite reverse delay modes, notably when used with the Reverb for surreal reverberated environment. And make sure you attempt urgent and holding the Faucet foot-switch (or using an expression pedal) to alternate between forwards and backwards delays feeding into some massive reverb. The sounds of the Avalanche Run V2 are mesmerizing and utterly unique to this pedal.

Builder: Purple Panda, Pedal: Context, Reverb Sort: Multi

The Purple Panda Context is arguably probably the most typical pedal launched from this builder, yet no different compact reverb pedal sounds quite like it. Whereas Pink Panda pedals just like the Particle & Bitmap venture into bizarre sonic frontiers, the Context accommodates reverb effects that may attraction to a wider audience of guitarists. However don’t assume that the Context is a monotonous reverb pedal. The 6 reverb algorithms included are each bold and musical in their very own ways and may nonetheless enterprise into uncharted spatial territories.

The Room effect has the standard shallow reflections and snappy reverb you’d look forward to finding, however as you push up the Decay the partitions of this room collapse, leaving you floating in area. The Hall mode is just like the Room with a much bigger cluster of early reflections. You will get shorter room-like sounds and ship your guitar out the airlock whenever you max the Decay. The Cathedral setting is like a greater, brighter corridor. The Cathedral’s decay also seems to have a light modulation on the trails. It’s an excellent variation of a hall-like theme, and if it’s a bit brilliant at first, Damping the sound helps. The Gated reverb appears more like a variation of a Room reverb in it sounds and how it’s controlled. The Decay controls the Gate Time, to cut off the reverb after you’d fairly enjoying, however the smaller sound of the reverb is dissimilar to how it might sound to gate a corridor reverb, for example. The Plate is another nice reverb for lengthy washes of trails. This one sounds tremendously absolutely wet with lengthy decay (controlled by Delay on this mode). The Delay knob combines a regular digital delay (probably the most “normal” delay Purple Panda’s ever created) and reverb, an important combination and adds additional utility to the Context. Sure, you possibly can control the reverb size and delay feedback separately for shallow or big sounds. This pedal is very large far beyond its humble measurement.

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EarthQuaker Units Afterneath/Transmisser

Builder: EarthQuaker Units, Pedals: Afterneath/Transmisser, Reverb Sort: Different

I’ve to mention the EarthQuaker Units Afterneath & Transmisser concurrently they’re each similarly tousled pedals although they produce fairly totally different sonic outcomes. It’s essential to level out their similarities and variations that will help you get an concept of which one could be suited for your reverb explorations.

The Afterneath takes your guitar sign and multiplies it like a multi-tap delay-ish impact, replicating your enjoying with a ping-pong like collection of delay faucets. This is fed into an enormous, cavernous reverb that can linger for eternity should you crank the Size knob. The Drag knob sets the spacing of these delay taps and may warp the pitch of the reverb trails by turning it in both path while the reverb is sustaining. This pedal is among the greatest EarthQuaker Units pedals and is sort of in contrast to anything on the market. Properly, except perhaps the Transmisser…

The Transmisser might appear to be the brand new Afterneath at first, but you’ll see that it’s truly its own distinctive taste of reverb when you look nearer and have a pay attention. The Transmisser does massive reverb, too, nevertheless it’s not fairly as excessive big sounding because the Afterneath. But where it does go off the rails is with the Freq knob that controls the frequency peak of a resonant filter positioned after the reverb. That is also expression pedal controllable for additional sweepy fun. There’s a wierd modulation that’s all the time current, the velocity of which is managed by the Price knob. It’s barely modulating the reverb and the Freq & Darkness parameters relying on where the Warp knob is about. Sound complicated? It’s simpler to get the hold of when utilizing it. The Warp knob can even mangle the pitch of the reverb in a somewhat comparable approach to the Afterneath’s Drag management. Whereas the Afterneath continues to be my private favourite of the two, you gotta hand it to EarthQuaker Units for once more pushing reverb into new outlandish territories.

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Builder: Catalinbread, Pedal: Talisman, Reverb Sort: Plate

The Catalinbread Talisman may be this builder’s greatest stored secret, and more guitarists have to experience this awesome plate reverb. Why does this pedal rock? While corridor reverbs are great for massive ambience and long decays, their complexity typically clutters up a mixture and takes over the frequency spectrum. Plate reverbs have a extra targeted and refined sound; they’re extra dense for a reverb that’s more like an extension of the sound(s) they’re applied to. The Talisman creates a targeted extension of your guitar sound in addition to an extended sustaining atmosphere.

Should you’re utilizing a plate reverb within the studio, you may need to roll-off the low frequencies to keep the low-end from getting muddy. The Talisman’s Excessive Cross knob does this very properly, holding the low finish in a band combine very clear. You may also apply some delay on a mixer’s aux send to stagger the reverb’s timing. The Pre Delay knob features in an identical means, providing up to round 100mS of delay earlier than the reverb is heard.

The Combine, Time, & Vol knobs spherical out the Talisman’s parameter set. Combine is your wet/dry mix. The Talisman can prolong the reverb decay to infinity by way of the Time knob. In the default buffered bypass mode (true bypass is an inner choice), the trails spillover once you disengage the pedal. You possibly can let big trails sustain when you play over them. The Vol knob controls an analog preamp that may give a considerable quantity of volume increase. This remains lively in buffered mode and may add to your general sound and push your amp more durable when you crank it. It cleans up together with your guitar’s quantity knob, too. Don’t let the Talisman being just a plate reverb fool you into considering it’s a one-trick-pony. There’s a strong quantity of versatility housed on this amulet of great reverb tone.

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Caroline Guitar Company Météore

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Builder: Caroline Guitar Company, Pedal: Météore, Reverb Sort: Other

Once I first noticed this pedal I mistook for a lo-fi reverb within the vein of the company’s Kilobyte Lo-Fi Delay. But the Caroline Guitar Company Météore (pronounced “May-Tay-Or”) was impressed by a tiled practice tunnel in France. Weird, proper? Wait until you hear how it sounds. It has a brilliant, crashy tonality with jagged reflections that someway handle to blossom into a phenomenal mess of fantastic noise. I mean that in the absolute best approach. There’s additionally an integrated drive circuit that further trashes up the sound in superb methods. Even at full on settings, it doesn’t get overwhelming and remains remarkably playable. The Havoc foot-switch creates infinite decay when pressed and held, additional fueling this pedal’s want to be on your reside pedalboard. Bedroom guitarists will nonetheless dig the Météore, however this pedal is begging to be played on stage. But worry not… in the event you’re not buying for a reverb for your reside ‘board. Get out there. Start a band. Get a Météore. And rock out such as you imply it. m/

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That concludes our Top 20 Reverb Pedals for 2019, but if any thrilling new reverb pedals come out in 2019, we might replace the record. When you have a favourite reverb pedal suggestion, tell us in the comments!